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In Gardens of Love and the Limits of Morality in Early Netherlandish Art, Andrea Pearson demonstrates how garden imagery defined bodily desire as a fundamental problem of human salvation, in which artists, patrons, and viewers alike had an interpretive stake.

Produktbeschreibung
In Gardens of Love and the Limits of Morality in Early Netherlandish Art, Andrea Pearson demonstrates how garden imagery defined bodily desire as a fundamental problem of human salvation, in which artists, patrons, and viewers alike had an interpretive stake.
Autorenporträt
Andrea Pearson, Ph.D., has published extensively on women, gender, and sexuality in the early modern Low Countries. She is an associate professor of art history at American University in Washington, D.C.