The author gives a detailed study of the Gardzienice Theatre Association. Analysing their sung performances, strenuous physical and vocal training, and anthropological fieldwork amongst marginalized European minorities.
The author gives a detailed study of the Gardzienice Theatre Association. Analysing their sung performances, strenuous physical and vocal training, and anthropological fieldwork amongst marginalized European minorities.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Paul Allain is a lecturer in Drama and Theatre Arts at Goldsmiths College, University of London. As a movement director he has collaborated with Katie Mitchell for many years and has trained actors at the Royal Shakespeare and Royal National Theatre companies for productions including The Dybbuk, Ghosts, Rutherford and Sons, The Machine-Wreckers and Henry IV Part 3. His own company, Bodywork, had its première at Sadler's Wells' Mosaics Festival in 1996. Dr Allain is co-editor with Professor Vera Gottlieb of the forthcoming Cambridge Companion to Chekhov.
Inhaltsangabe
Introduction to the SeriesList of PlatesAcknowledgementsIntroduction 1. Polish Theatre - Romanticism Fades 2. The Rural Context and Gardzienice Village 3. Polish Society - The Art of Gathering 4. The Formation of Gardzienice - From Grotowski and Paratheatre 5. Training 6. Performances 7. European Parallels - Future Models 8. An Intercultural Assessment 9. Searching for a New Language ConclusionPostscriptAppendix: Polishing up on our ClassicsNotesBibliographyIndex
Introduction to the SeriesList of PlatesAcknowledgementsIntroduction 1. Polish Theatre - Romanticism Fades 2. The Rural Context and Gardzienice Village 3. Polish Society - The Art of Gathering 4. The Formation of Gardzienice - From Grotowski and Paratheatre 5. Training 6. Performances 7. European Parallels - Future Models 8. An Intercultural Assessment 9. Searching for a New Language ConclusionPostscriptAppendix: Polishing up on our ClassicsNotesBibliographyIndex
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