Gathering Force: Early Modern British Literature in Transition, 1557-1623: Volume 1
Herausgeber: Poole, Kristen; Shohet, Lauren
Gathering Force: Early Modern British Literature in Transition, 1557-1623: Volume 1
Herausgeber: Poole, Kristen; Shohet, Lauren
- Gebundenes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
Explores how different genres of early modern literature both shape and respond to rapid historical transformations of their time.
Andere Kunden interessierten sich auch für
- Emergent Nation: Early Modern British Literature in Transition, 1660-1714: Volume 3166,99 €
- Political Turmoil: Early Modern British Literature in Transition, 1623-1660: Volume 2166,99 €
- Irish Literature in Transition, 1830-1880: Volume 3160,99 €
- British Literature in Transition, 1960-1980: Flower Power146,99 €
- British Literature in Transition, 1980-2000146,99 €
- British Literature in Transition, 1940-1960: Postwar146,99 €
- British Literature in Transition, 1900-1920: A New Age?133,99 €
-
-
-
Explores how different genres of early modern literature both shape and respond to rapid historical transformations of their time.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 418
- Erscheinungstermin: 17. Januar 2019
- Englisch
- Abmessung: 234mm x 162mm x 29mm
- Gewicht: 726g
- ISBN-13: 9781108419635
- ISBN-10: 1108419631
- Artikelnr.: 53936885
- Verlag: Cambridge University Press
- Seitenzahl: 418
- Erscheinungstermin: 17. Januar 2019
- Englisch
- Abmessung: 234mm x 162mm x 29mm
- Gewicht: 726g
- ISBN-13: 9781108419635
- ISBN-10: 1108419631
- Artikelnr.: 53936885
Part I. Generic Transitions: 1. The English sonnet: cycles and recycling
Catherine Bates; 2. Romance: traditions and innovations Kenneth Borris; 3.
Drama: forming an audience Lois Potter; 4. Pageants, masques, and
entertainments: old rituals, new forms Lauren Shohet; 5. Arts of rhetoric:
antique and modern Jenny C. Mann; Part II. Literature and Ideological
Transformation: 6. Lyric and spiritualism: John Donne's 'The Ecstasy'
Douglas Trevor; 7. Romance and the boundaries of genre and gender Andrew
Hadfield; 8. Drama and globalization in early modern England Daniel J.
Vitkus; 9. The court masque: art and politics Peter Holbrook; 10. Prose,
science, and scripture: Francis Bacon's sacred texts Katherine Bootle
Attié; Part III. Literature and Cultural Transformation: 11. Lyric and
scientific epistemologies: Bacon and Donne Liza Blake; 12. Romance and the
early modern cultures of the book Sarah Wall-Randell; 13. Drama and
commodity culture in Marlowe's Doctor Faustus Bradley D. Ryner; 14.
Pageantry and politics: the anxiety of arrival Tom Bishop; 15. Prose and
the public sphere David Colclough; Part IV. Literature and Local
Transformation: 16. 'Hard to meter well': psalms and early modern English
poetry Lucía Martínez Valdivia; 17. Romance, magical space, and Wroth's
Urania Sheila Cavanagh; 18. Drama and the playhouse Lucy Munro; 19. Greek
tragedy on the university stage: Buchanan and Euripides Hannah Crawforth
and Lucy Jackson; 20. Prose and the pulpit Lori Anne Ferrell.
Catherine Bates; 2. Romance: traditions and innovations Kenneth Borris; 3.
Drama: forming an audience Lois Potter; 4. Pageants, masques, and
entertainments: old rituals, new forms Lauren Shohet; 5. Arts of rhetoric:
antique and modern Jenny C. Mann; Part II. Literature and Ideological
Transformation: 6. Lyric and spiritualism: John Donne's 'The Ecstasy'
Douglas Trevor; 7. Romance and the boundaries of genre and gender Andrew
Hadfield; 8. Drama and globalization in early modern England Daniel J.
Vitkus; 9. The court masque: art and politics Peter Holbrook; 10. Prose,
science, and scripture: Francis Bacon's sacred texts Katherine Bootle
Attié; Part III. Literature and Cultural Transformation: 11. Lyric and
scientific epistemologies: Bacon and Donne Liza Blake; 12. Romance and the
early modern cultures of the book Sarah Wall-Randell; 13. Drama and
commodity culture in Marlowe's Doctor Faustus Bradley D. Ryner; 14.
Pageantry and politics: the anxiety of arrival Tom Bishop; 15. Prose and
the public sphere David Colclough; Part IV. Literature and Local
Transformation: 16. 'Hard to meter well': psalms and early modern English
poetry Lucía Martínez Valdivia; 17. Romance, magical space, and Wroth's
Urania Sheila Cavanagh; 18. Drama and the playhouse Lucy Munro; 19. Greek
tragedy on the university stage: Buchanan and Euripides Hannah Crawforth
and Lucy Jackson; 20. Prose and the pulpit Lori Anne Ferrell.
Part I. Generic Transitions: 1. The English sonnet: cycles and recycling
Catherine Bates; 2. Romance: traditions and innovations Kenneth Borris; 3.
Drama: forming an audience Lois Potter; 4. Pageants, masques, and
entertainments: old rituals, new forms Lauren Shohet; 5. Arts of rhetoric:
antique and modern Jenny C. Mann; Part II. Literature and Ideological
Transformation: 6. Lyric and spiritualism: John Donne's 'The Ecstasy'
Douglas Trevor; 7. Romance and the boundaries of genre and gender Andrew
Hadfield; 8. Drama and globalization in early modern England Daniel J.
Vitkus; 9. The court masque: art and politics Peter Holbrook; 10. Prose,
science, and scripture: Francis Bacon's sacred texts Katherine Bootle
Attié; Part III. Literature and Cultural Transformation: 11. Lyric and
scientific epistemologies: Bacon and Donne Liza Blake; 12. Romance and the
early modern cultures of the book Sarah Wall-Randell; 13. Drama and
commodity culture in Marlowe's Doctor Faustus Bradley D. Ryner; 14.
Pageantry and politics: the anxiety of arrival Tom Bishop; 15. Prose and
the public sphere David Colclough; Part IV. Literature and Local
Transformation: 16. 'Hard to meter well': psalms and early modern English
poetry Lucía Martínez Valdivia; 17. Romance, magical space, and Wroth's
Urania Sheila Cavanagh; 18. Drama and the playhouse Lucy Munro; 19. Greek
tragedy on the university stage: Buchanan and Euripides Hannah Crawforth
and Lucy Jackson; 20. Prose and the pulpit Lori Anne Ferrell.
Catherine Bates; 2. Romance: traditions and innovations Kenneth Borris; 3.
Drama: forming an audience Lois Potter; 4. Pageants, masques, and
entertainments: old rituals, new forms Lauren Shohet; 5. Arts of rhetoric:
antique and modern Jenny C. Mann; Part II. Literature and Ideological
Transformation: 6. Lyric and spiritualism: John Donne's 'The Ecstasy'
Douglas Trevor; 7. Romance and the boundaries of genre and gender Andrew
Hadfield; 8. Drama and globalization in early modern England Daniel J.
Vitkus; 9. The court masque: art and politics Peter Holbrook; 10. Prose,
science, and scripture: Francis Bacon's sacred texts Katherine Bootle
Attié; Part III. Literature and Cultural Transformation: 11. Lyric and
scientific epistemologies: Bacon and Donne Liza Blake; 12. Romance and the
early modern cultures of the book Sarah Wall-Randell; 13. Drama and
commodity culture in Marlowe's Doctor Faustus Bradley D. Ryner; 14.
Pageantry and politics: the anxiety of arrival Tom Bishop; 15. Prose and
the public sphere David Colclough; Part IV. Literature and Local
Transformation: 16. 'Hard to meter well': psalms and early modern English
poetry Lucía Martínez Valdivia; 17. Romance, magical space, and Wroth's
Urania Sheila Cavanagh; 18. Drama and the playhouse Lucy Munro; 19. Greek
tragedy on the university stage: Buchanan and Euripides Hannah Crawforth
and Lucy Jackson; 20. Prose and the pulpit Lori Anne Ferrell.