In Ariana Huberman's manuscript titled Gauchos and Foreigners: Glossing Culture and Identity in the Argentine Countryside, she discusses the relationship between the gaucho figure and the "foreigner" in Argentine rural literature from the turn of the nineteenth-century to the 1920's in order to explore the complexities of mutual cultural transformation in a literary genre and a region that thrives in binaries.
In Ariana Huberman's manuscript titled Gauchos and Foreigners: Glossing Culture and Identity in the Argentine Countryside, she discusses the relationship between the gaucho figure and the "foreigner" in Argentine rural literature from the turn of the nineteenth-century to the 1920's in order to explore the complexities of mutual cultural transformation in a literary genre and a region that thrives in binaries.
Ariana Huberman is visiting associate professor of Spanish at Haverford College
Inhaltsangabe
Chapter 1 Introduction Chapter 2 Chapter 1: The Gaucho in Argentine History, National Language, and Landscape Chapter 3 Chapter 2: W.H. Hudson: A Naturalist's Rendition of the Gaucho and his Habitat Chapter 4 Chapter 3: Benito Lynch: A Realistic Portrait ofthe Gaucho and the Pampas Chapter 5 Chapter 4: Alberto Gerchunoff: An Uncomfortable Canon Chapter 6 Conclusion
Chapter 1 Introduction Chapter 2 Chapter 1: The Gaucho in Argentine History, National Language, and Landscape Chapter 3 Chapter 2: W.H. Hudson: A Naturalist's Rendition of the Gaucho and his Habitat Chapter 4 Chapter 3: Benito Lynch: A Realistic Portrait ofthe Gaucho and the Pampas Chapter 5 Chapter 4: Alberto Gerchunoff: An Uncomfortable Canon Chapter 6 Conclusion
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