In the antebellum period, most Americans first encountered European classical music through hundreds of hymn tunes that tapped into classical melodies. This book is the first in-depth study of the rise and fall of these popular, but largely overlooked, adaptations and their place in nineteenth-century American musical life.
In the antebellum period, most Americans first encountered European classical music through hundreds of hymn tunes that tapped into classical melodies. This book is the first in-depth study of the rise and fall of these popular, but largely overlooked, adaptations and their place in nineteenth-century American musical life.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Peter Mercer-Taylor is Professor of Musicology at the University of Minnesota. His teaching and scholarship have been divided between the nineteenth-century classical tradition--Felix Mendelssohn in particular--and contemporary popular music. Mercer-Taylor's articles have appeared in a range of journals, including 19th-Century Music, Popular Music, Musical Quarterly, The Journal of Musicology, Music & Letters, and Music Theory Spectrum.
Inhaltsangabe
* Introduction * Chapter 1: Antebellum Psalmody in its Cultural Context * Chapter 2: An Immigrant's Musical Memoir: Clifton's 1819 Original Collection and the Modest Launch of a Tradition * Chapter 3: Institutional Certification: Mason's 1822 Handel and Haydn Society Collection and the First Wave * Chapter 4: Heyday: Kingsley's 1838 Sacred Choir and the Midcentury Mania * Chapter 5: Psalmodic Adaptation as Musical Translation * Epilogue * Appendix 1: Classical Music in Antebellum American Psalmody: The Repertoire * Appendix 2: The Repertoire by Composer * Notes * Works Cited * Index
* Introduction * Chapter 1: Antebellum Psalmody in its Cultural Context * Chapter 2: An Immigrant's Musical Memoir: Clifton's 1819 Original Collection and the Modest Launch of a Tradition * Chapter 3: Institutional Certification: Mason's 1822 Handel and Haydn Society Collection and the First Wave * Chapter 4: Heyday: Kingsley's 1838 Sacred Choir and the Midcentury Mania * Chapter 5: Psalmodic Adaptation as Musical Translation * Epilogue * Appendix 1: Classical Music in Antebellum American Psalmody: The Repertoire * Appendix 2: The Repertoire by Composer * Notes * Works Cited * Index
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