Gender, Age and Musical Creativity - Haworth, Catherine; Colton, Lisa
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This collection takes an interdisciplinary approach to issues of identity and its representation, examining intersections of age and gender in relation to music and musicians across a wide range of periods and places. Drawing together the work of musicologists and practitioners, it offers new ways in which to conceptualise the complex links between age and gender in both individual and collective practice and their reception: essays explore juvenilia and 'late' style in composition and performance, the role of institutions in fostering and sustaining creative activity throughout musical…mehr

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Produktbeschreibung
This collection takes an interdisciplinary approach to issues of identity and its representation, examining intersections of age and gender in relation to music and musicians across a wide range of periods and places. Drawing together the work of musicologists and practitioners, it offers new ways in which to conceptualise the complex links between age and gender in both individual and collective practice and their reception: essays explore juvenilia and 'late' style in composition and performance, the role of institutions in fostering and sustaining creative activity throughout musical careers, and the ways in which genres and scenes themselves age over time.
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Autorenporträt
Catherine Haworth is Lecturer in Music at the University of Huddersfield, UK. Her research focuses upon musical practices of representation and identity construction across various media, particularly film music. Recent projects include articles on scoring the female detective, music and medicine in the gaslight thriller, and editorship of a gender and sexuality special issue of Music, Sound and the Moving Image. Lisa Colton is Subject Leader for Music at the University of Huddersfield, UK, where she directs the Centre for the Study of Music, Gender and Identity. Her research interests focus on British music of the Middle Ages and of the twentieth century, particularly in relation to questions of reception. Her forthcoming book (for Ashgate) is entitled Angel Song: Medieval English Music in History.