Gender and Representation in the Films of Ingmar Bergman
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This book covers the whole of Bergman's production, but concentrates in particular on close analyses of five of his major films: Smiles of a Summer Night, The Seventh Seal, The Silence, Persona, and Cries and Whispers. In addition to bringing post-modernist theoretical strategies to bear on the films, it offers a clear, current, pluralist feminist perspective: Blackwell demonstrates that Bergman is an extremely complex and complicated artist who produces art equally complicated, art that embraces and validates feminist concerns, something that earlier feminist critics of his work failed to per...
This book covers the whole of Bergman's production, but concentrates in particular on close analyses of five of his major films: Smiles of a Summer Night, The Seventh Seal, The Silence, Persona, and Cries and Whispers. In addition to bringing post-modernist theoretical strategies to bear on the films, it offers a clear, current, pluralist feminist perspective: Blackwell demonstrates that Bergman is an extremely complex and complicated artist who produces art equally complicated, art that embraces and validates feminist concerns, something that earlier feminist critics of his work failed to perceive. Professor MARILYN JOHNS BLACKWELL teaches in the Department of Scandinavian at Ohio State University.
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