Innovative and collaborative in its approach, this volume engages with the question of how gender informed song within particular textual, social and spatial contexts in sixteenth- and seventeenth-century England. In its attention to the gendering of song and the gendered processes and spaces of song's circulation and reception, it interrogates the literary and cultural significance of song for early modern readers, performers and audiences.
Innovative and collaborative in its approach, this volume engages with the question of how gender informed song within particular textual, social and spatial contexts in sixteenth- and seventeenth-century England. In its attention to the gendering of song and the gendered processes and spaces of song's circulation and reception, it interrogates the literary and cultural significance of song for early modern readers, performers and audiences.
Leslie C. Dunn is Associate Professor of English at Vassar College, USA. Katherine R. Larson is Associate Professor of English at the University of Toronto, Canada.
Inhaltsangabe
Introduction Leslie C.Dunn Katherine R.Larson; Chapter 1 Performing Women in English Books of Ayres Scott A.Trudell; Chapter 2 Witches Lamenting Women and Cautionary Tales Sarah F.Williams; Chapter 3 Listening to Black Magic Women JenniferLinhart Wood; Chapter 4 "Better a Witty Fool Than a Foolish Wit" AngelaHeetderks; Chapter 5 Dangerous Performance AmandaEubanks Winkler; Chapter 6 Making Music Fit for Kings Joseph M.Ortiz; Chapter 7 Unimportant Women Tessie L.Prakas; Chapter 8 Domestic Song and the Circulation of Masculine Social Energy in Early Modern England Linda PhyllisAustern; Chapter 9 Song Political Resistance and Masculinity in Thomas Heywood's The Rape of Lucrece Nora L.Corrigan; Chapter 10 Music for Helen ErinMinear; Chapter 11 The Use of Early Modern Music in Film Scoring for Elizabeth I KendraPreston Leonard;
Introduction Leslie C.Dunn Katherine R.Larson; Chapter 1 Performing Women in English Books of Ayres Scott A.Trudell; Chapter 2 Witches Lamenting Women and Cautionary Tales Sarah F.Williams; Chapter 3 Listening to Black Magic Women JenniferLinhart Wood; Chapter 4 "Better a Witty Fool Than a Foolish Wit" AngelaHeetderks; Chapter 5 Dangerous Performance AmandaEubanks Winkler; Chapter 6 Making Music Fit for Kings Joseph M.Ortiz; Chapter 7 Unimportant Women Tessie L.Prakas; Chapter 8 Domestic Song and the Circulation of Masculine Social Energy in Early Modern England Linda PhyllisAustern; Chapter 9 Song Political Resistance and Masculinity in Thomas Heywood's The Rape of Lucrece Nora L.Corrigan; Chapter 10 Music for Helen ErinMinear; Chapter 11 The Use of Early Modern Music in Film Scoring for Elizabeth I KendraPreston Leonard;
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