Exploring how the modern novel's complex depictions of parenthood restructure traditional conceptions of the Romantic sublime, Erin K. Johns Speese shows how William Faulkner, E.M. Forster, D.H. Lawrence, and Virginia Woolf use related strategies to rewrite the traditional sublime as an intersubjective experience.
Exploring how the modern novel's complex depictions of parenthood restructure traditional conceptions of the Romantic sublime, Erin K. Johns Speese shows how William Faulkner, E.M. Forster, D.H. Lawrence, and Virginia Woolf use related strategies to rewrite the traditional sublime as an intersubjective experience.
Erin K. Johns Speese is a Visiting Assistant Professor at Duquesne University, USA.
Inhaltsangabe
1. Introduction 2. A Novel Feeling: Aesthetics of Emotion and the Modern Novel 3. Mater Sacer: Addie as Sublime Object in William Faulkner's As I Lay Dying 4. Only Disconnect: Ruth Wilcox, Death, and the Sublime Object in Howards End 5. Transcending the Rainbow: The Possibility of Sublime Intersubjectivity in D.H. Lawrence's The Rainbow 6. "What is R?": Mrs. Ramsay as Feminism's Sublime Object in Virginia Woolf's To the Lighthouse Epilogue: iek's Mom: Theory, Feminism, and the Mother
1. Introduction 2. A Novel Feeling: Aesthetics of Emotion and the Modern Novel 3. Mater Sacer: Addie as Sublime Object in William Faulkner's As I Lay Dying 4. Only Disconnect: Ruth Wilcox, Death, and the Sublime Object in Howards End 5. Transcending the Rainbow: The Possibility of Sublime Intersubjectivity in D.H. Lawrence's The Rainbow 6. "What is R?": Mrs. Ramsay as Feminism's Sublime Object in Virginia Woolf's To the Lighthouse Epilogue: iek's Mom: Theory, Feminism, and the Mother
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