Gender, Genre, and Race in Post-Neo-Slave Narratives provides a new, innovative conceptual framework for describing representations of slavery in twenty-first century American cultural productions. Horton draws on broad range of examples including novels like The Known World, films like 12 Years a Slave, and the music of Missy Elliott.
Gender, Genre, and Race in Post-Neo-Slave Narratives provides a new, innovative conceptual framework for describing representations of slavery in twenty-first century American cultural productions. Horton draws on broad range of examples including novels like The Known World, films like 12 Years a Slave, and the music of Missy Elliott.
Introduction Chapter 1 - The Female Slaveholder Narrative: Challenging the Plantation Mistress Trope in Property and The Wedding Gift Chapter 2 - "Sometimes, One Must Become a Master to Avoid Becoming a Slave": Cane River, The Known World, and The Postmodern Black Plantation Mistress Chapter 3 - "You will sell the negress!":Revising Representations of Women in Django Unchained and 12 Years a Slave Chapter 4 - "The Rap Purist": The Plantation Mistress in Hip Hop Music Conclusion - Towards a Black Feminist Counternarrative
Introduction Chapter 1 - The Female Slaveholder Narrative: Challenging the Plantation Mistress Trope in Property and The Wedding Gift Chapter 2 - "Sometimes, One Must Become a Master to Avoid Becoming a Slave": Cane River, The Known World, and The Postmodern Black Plantation Mistress Chapter 3 - "You will sell the negress!":Revising Representations of Women in Django Unchained and 12 Years a Slave Chapter 4 - "The Rap Purist": The Plantation Mistress in Hip Hop Music Conclusion - Towards a Black Feminist Counternarrative
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