Focusing on the influence of Maoist ideology and masculinist power on the representations of women in revolutionary opera films made during the Cultural Revolution, this book considers the gendered hierarchy between masculinity and femininity in relation to the historic and cultural context in which they were made.
Focusing on the influence of Maoist ideology and masculinist power on the representations of women in revolutionary opera films made during the Cultural Revolution, this book considers the gendered hierarchy between masculinity and femininity in relation to the historic and cultural context in which they were made.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Zhuying Li holds a Master's Degree from Monash University and a Ph.D. in Communication and Media Studies from RMIT University in Australia. Her research areas include gender studies, China studies, and cultural studies.
Inhaltsangabe
Introduction; Chapter One: Women, the Revolutionary Opera Films, and the Cultural Revolution; Chapter Two: Smashing of the Four Old Ways: Transformations of Gender Construction from Confucian China to Maoist China; Chapter Three: Masculine Honour, Feminine Shame: The Reconstruction of Gender in the Revolutionary Opera Films; Chapter Four: Patriarchal Power and Ideological Apparatuses: The Image of Female Warriors in the Revolutionary Opera Films; Coda
Introduction; Chapter One: Women, the Revolutionary Opera Films, and the Cultural Revolution; Chapter Two: Smashing of the Four Old Ways: Transformations of Gender Construction from Confucian China to Maoist China; Chapter Three: Masculine Honour, Feminine Shame: The Reconstruction of Gender in the Revolutionary Opera Films; Chapter Four: Patriarchal Power and Ideological Apparatuses: The Image of Female Warriors in the Revolutionary Opera Films; Coda
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