This edited volume investigates the reconfiguration of gender in French banlieue cinema, interrogating whether the films produced over the last two decades provide new and viable models of resistance to dominant modes of power. Contributors take a critical approach which identifies gender as a marker of both body and identity politics to highlight the need to overcome a binary approach to banlieue aesthetics, which limits inquiry into the basis of conflict. Given that a feminization-and, to some extent, queering-of the once exclusively-masculine space is underway, contributors ultimately…mehr
This edited volume investigates the reconfiguration of gender in French banlieue cinema, interrogating whether the films produced over the last two decades provide new and viable models of resistance to dominant modes of power. Contributors take a critical approach which identifies gender as a marker of both body and identity politics to highlight the need to overcome a binary approach to banlieue aesthetics, which limits inquiry into the basis of conflict. Given that a feminization-and, to some extent, queering-of the once exclusively-masculine space is underway, contributors ultimately conclude that the banlieue and its on-screen representations cannot be properly understood unless intersectionality as a systematic approach is applied as an interpretive lens. Scholars of film, gender studies, and sociology will find this book particularly useful.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Marzia Caporale is professor of French and Italian and associate faculty member in the Women's and Gender Studies Program at the University of Scranton. Claire Mouflard is associate professor of French and Francophone studies at Hamilton College. Habib Zanzana is professor of World Languages and Literatures at the University of Scranton.
Inhaltsangabe
Part I: Intersectional Approaches to Banlieue Cinema. Race, Religion, and Social Marginalization Chapter 1: Deessentializing Patriarchal Islam, Recentering Female Spirituality: The Examples of Divines (2016) and Mignonnes (2020), Evie Munier Chapter 2: Gender, Race, and the Pitfalls of White Feminist Subjectivity in Regarde-moi (Audrey Estrogo, 2007), Brett Bowles Chapter 3: Revisioning the Banlieues: From Mainstream Cinema to Grassroots Visual Representations, Ashley Harris Part II: Women and Education: Gender and Resistance in Banlieue Schools Chapter 4: Unequal Expectations: Emotional Labor in Banlieue Classroom Films, Eric Bulakites Chapter 5: Gender Dynamics and Spatiality in Banlieue Cinema Schools, Kévin Drif Part III: Gender and Performance: Body Politics in Banlieue Spaces Chapter 6: Queer Masculinity on the Margins: Banlieue Spaces and Sex Work in Camille Vidal-Naquet's Sauvage, Peter Tarjanyi Chapter 7: Dancing in the Banlieue: Rechoreographing Gender in Houda Benyamina's Divines and Maïmouna Doucouré's Mignonnes, Tessa Nunn Chapter 8: From the American Musical to French Hip Hop: The Political Dance of Black Girlhood in Céline Sciamma's Bande de filles, Mary M. Wiles
Part I: Intersectional Approaches to Banlieue Cinema. Race, Religion, and Social Marginalization Chapter 1: Deessentializing Patriarchal Islam, Recentering Female Spirituality: The Examples of Divines (2016) and Mignonnes (2020), Evie Munier Chapter 2: Gender, Race, and the Pitfalls of White Feminist Subjectivity in Regarde-moi (Audrey Estrogo, 2007), Brett Bowles Chapter 3: Revisioning the Banlieues: From Mainstream Cinema to Grassroots Visual Representations, Ashley Harris Part II: Women and Education: Gender and Resistance in Banlieue Schools Chapter 4: Unequal Expectations: Emotional Labor in Banlieue Classroom Films, Eric Bulakites Chapter 5: Gender Dynamics and Spatiality in Banlieue Cinema Schools, Kévin Drif Part III: Gender and Performance: Body Politics in Banlieue Spaces Chapter 6: Queer Masculinity on the Margins: Banlieue Spaces and Sex Work in Camille Vidal-Naquet's Sauvage, Peter Tarjanyi Chapter 7: Dancing in the Banlieue: Rechoreographing Gender in Houda Benyamina's Divines and Maïmouna Doucouré's Mignonnes, Tessa Nunn Chapter 8: From the American Musical to French Hip Hop: The Political Dance of Black Girlhood in Céline Sciamma's Bande de filles, Mary M. Wiles
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