Gender, Otherness, and Culture in Medieval and Early Modern Art

Herausgegeben:Bradbury, Carlee A.; Moseley-Christian, Michelle

• Broschiertes Buch

Produktbeschreibung

This collection examines gender and Otherness as tools to understand medieval and early modern art as products of their social environments. The essays, uniting up-and-coming and established scholars, explore both iconographic and stylistic similarities deployed to construct gender identity. The text analyzes a vast array of medieval artworks, including Dieric Bouts's Justice of Otto III, Albrecht Dürer's Feast of the Rose Garland, Rembrandt van Rijn's Naked Woman Seated on a Mound, and Renaissance-era transi tombs of French women to illuminate medieval and early modern ideas about gender identity, poverty, religion, honor, virtue, sexuality, and motherhood, among others.

Produktdetails

• The New Middle Ages
• Verlag: Palgrave Macmillan / Springer International Publishing / Springer, Berlin
• Artikelnr. des Verlages: 978-3-319-87936-9
• Softcover reprint of the original 1st ed. 2017
• Seitenzahl: 264
• Erscheinungstermin: 24. Mai 2018
• Englisch
• Abmessung: 210mm x 148mm x 15mm
• Gewicht: 346g
• ISBN-13: 9783319879369
• ISBN-10: 3319879367
• Artikelnr.: 55127360

Autorenporträt

Carlee A. Bradbury is Associate Professor of Art History at Radford University. Michelle Moseley-Christian is Associate Professor of Art History at Virginia Polytechnic Institute and State University. 

Inhaltsangabe

1 Introduction .- "Aspectu Desiderabilis": A Thirteenth Century Reliquary of David with the Face of Medusa.- Picturing Maternal Anxiety in the Miracle of the Jew of Bourges.- Gender and Poverty in Late Medieval Art.- Forms of Gendered Testimony in Dieric Bouts's Justice of Otto III.- "In Love and Faithfulness Toward One Another Like Brothers." Dürer's Feast of the Rose Garland and the Scuola dei Tedeschi as Strategies for Mediating Masculine Identity.- "The monster, death, becomes pregnant": Female Transi Tombs from Renaissance France.- Embodying Gluttony as Women's Wildness: Rembrandt's Naked Woman Seated on a Mound.

Rezensionen

"The volume ... summarizes the state of research and outlines the major theoretical issues in considering the intersection of gender, 'otherness,' and visual culture. ... it should become a desiratum for scholars interested in gender." (Diane Wolfthal, Early Modern Women Journal, Vol. 13 (2), 2019)