This volume features a set of thought-provoking and long overdue approaches to situating Stanley Kubrick's films in contemporary debates around gender, race, and age - with a focus on women's representations.
This volume features a set of thought-provoking and long overdue approaches to situating Stanley Kubrick's films in contemporary debates around gender, race, and age - with a focus on women's representations.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Karen A. Ritzenhoff is Professor in the Department of Communication at Central Connecticut State University, USA. Dijana Metli¿ is Associate Professor of Art History at the Academy of Arts, University of Novi Sad, Republic of Serbia. Jeremi Szaniawski is Assistant Professor of Comparative Literature and Film Studies at the University of Massachusetts Amherst, USA.
Inhaltsangabe
Introduction 1. The Problems with Lolita (1962) 2. Sue Lyon and the Consequences of the "Lolita Look" 3. The Legacy of Spartacus (1960) in the Depiction of Ancient Slavery Onscreen: Draba and His Heirs 4. From Female Stereotypes to Women with Agency: Elite Women and Slave Women in Howard Fast's 1951 novel, Spartacus (1960) and Starz Spartacus (2010-2013) 5. Fear and Desire, Casual Misogyny, and 1950s Art House Cinema 6. The Shining and UK Feminist Activism 7. Mothers Trapped Between Law, Economy, Society, and Desire 8. A Feminist Kubrick? Or, What if Women Were the Main Character(s) in Stanley Kubrick's films? 9. Kubrick's and Klimt's Femmes Fatales: Eyes Wide Shut and the Crisis of Masculine Identity 10. Kubrick and Sex: Exploring the Gender Politics of His Cinema 11. Kubrick's Crypto-Jewesses 12. Misogyny and Music in A Clockwork Orange 13. Wendy Torrance and Alice Harford, Shrews Who Will Not Be Tamed 14. Violence and Power in Kubrick's Later Cinema 15. Female Transgression and Discontent in Barry Lyndon 16. Kubrick and Bergman: Scenes from a Marriage 17. Someone to Care About: Children in Stanley Kubrick's Films 18. Old Age, Ageing and Fatherhood in Kubrick
Introduction 1. The Problems with Lolita (1962) 2. Sue Lyon and the Consequences of the "Lolita Look" 3. The Legacy of Spartacus (1960) in the Depiction of Ancient Slavery Onscreen: Draba and His Heirs 4. From Female Stereotypes to Women with Agency: Elite Women and Slave Women in Howard Fast's 1951 novel, Spartacus (1960) and Starz Spartacus (2010-2013) 5. Fear and Desire, Casual Misogyny, and 1950s Art House Cinema 6. The Shining and UK Feminist Activism 7. Mothers Trapped Between Law, Economy, Society, and Desire 8. A Feminist Kubrick? Or, What if Women Were the Main Character(s) in Stanley Kubrick's films? 9. Kubrick's and Klimt's Femmes Fatales: Eyes Wide Shut and the Crisis of Masculine Identity 10. Kubrick and Sex: Exploring the Gender Politics of His Cinema 11. Kubrick's Crypto-Jewesses 12. Misogyny and Music in A Clockwork Orange 13. Wendy Torrance and Alice Harford, Shrews Who Will Not Be Tamed 14. Violence and Power in Kubrick's Later Cinema 15. Female Transgression and Discontent in Barry Lyndon 16. Kubrick and Bergman: Scenes from a Marriage 17. Someone to Care About: Children in Stanley Kubrick's Films 18. Old Age, Ageing and Fatherhood in Kubrick
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