Relying on a range of visual and written sources, Gender, Space, and the Gaze offers fresh ways of considering how masculinity and femininity were lived in late nineteenth-century Paris. The book moves beyond shopworn dichotomies, rooted in Baudelaire's "The Painter of Modern Life" (1863), that have shaped scholarship on this period.
Relying on a range of visual and written sources, Gender, Space, and the Gaze offers fresh ways of considering how masculinity and femininity were lived in late nineteenth-century Paris. The book moves beyond shopworn dichotomies, rooted in Baudelaire's "The Painter of Modern Life" (1863), that have shaped scholarship on this period.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Temma Balducci is an Associate Professor of Art History at Arkansas State University. She was co-editor of and contributor to the companion volumes Interior Portraiture and Masculine Identity in France, 1789-1914 and Women, Femininity, and Public Space in Nineteenth-Century European Visual Culture.
Inhaltsangabe
List of Illustrations Acknowledgments Introduction Chapter 1: Making up the Boulevard Chapter 2: Gazing Women Chapter 3: Windows and Balconies Chapter 4: Men, Domesticity, and Family Conclusion Selected Bibliography Index
List of Illustrations Acknowledgments Introduction Chapter 1: Making up the Boulevard Chapter 2: Gazing Women Chapter 3: Windows and Balconies Chapter 4: Men, Domesticity, and Family Conclusion Selected Bibliography Index
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