This monograph examines Italian women as protagonists and consumers of literature, theatre, opera, and film. Using personal writing, journalism, and canonical texts, it analyses female performance and women's responses.
This monograph examines Italian women as protagonists and consumers of literature, theatre, opera, and film. Using personal writing, journalism, and canonical texts, it analyses female performance and women's responses.
Katharine Mitchell is Senior Lecturer in Italian Culture and Gender at the University of Strathclyde, Glasgow. She is author of Italian Women Writers: Gender and Everyday Life in Fiction and Journalism, 1870-1910 (Toronto University Press, 2014), and among her co-edited volumes are Women and Gender in Post-Unification Italy: Between Private and Public Spheres (Peter Lang, 2013) and Matilde Serao: International Profile, Reception, and Networks (Classiques Garnier, 2022).
Inhaltsangabe
Introduction Chapter One Towards Cross-Disciplinary Female Spectatorships Chapter Two Spectators, Traviate, and Women's Access to Culture Chapter Three The Private Female Gaze Chapter Four The Public Female Gaze Chapter Five The Imaginary Female Gaze Chapter Six The Female Gaze Beyond Italy Conclusion Appendix
Introduction Chapter One Towards Cross-Disciplinary Female Spectatorships Chapter Two Spectators, Traviate, and Women's Access to Culture Chapter Three The Private Female Gaze Chapter Four The Public Female Gaze Chapter Five The Imaginary Female Gaze Chapter Six The Female Gaze Beyond Italy Conclusion Appendix
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