Gendered Persona and Poetic Voice considers the effects on poetic voice of a conventional feminine persona, the abandoned woman, in early Chinese song lyric (ci) poems. The author reads the literary cross-dressing and ventriloquism of these mostly male-authored poems in light of the highly indeterminate Chinese poetic language. This study of persona and poetic voice will benefit scholars of lyric poetry in any language.
Gendered Persona and Poetic Voice considers the effects on poetic voice of a conventional feminine persona, the abandoned woman, in early Chinese song lyric (ci) poems. The author reads the literary cross-dressing and ventriloquism of these mostly male-authored poems in light of the highly indeterminate Chinese poetic language. This study of persona and poetic voice will benefit scholars of lyric poetry in any language.
Chapter 1 Introduction: Voice Persona and Gendered Convention: Who is Speaking? Chapter 2 "A thousand ten thousand resentments": The Story of a Convention Chapter 3 Magpies Waterclocks and Lies: "Images" of Voice Chapter 4 The Abandoned Woman as Object Topos and Ventriloquist's Puppet Chapter 5 Conclusion
Chapter 1 Introduction: Voice Persona and Gendered Convention: Who is Speaking? Chapter 2 "A thousand ten thousand resentments": The Story of a Convention Chapter 3 Magpies Waterclocks and Lies: "Images" of Voice Chapter 4 The Abandoned Woman as Object Topos and Ventriloquist's Puppet Chapter 5 Conclusion
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