Employing gender as a unifying critical focus, Caroline Jackson-Houlston draws on the full range of Walter Scott's novels to propose new links between Scott and Romantic-era authors such as Sophia Lee, Jane Porter, Jane Austen, Sydney Owenson, Elizabeth Hands, Thomas Love Peacock, and Robert Bage. In Scott, Jackson-Houlston suggests, sex and vio
Employing gender as a unifying critical focus, Caroline Jackson-Houlston draws on the full range of Walter Scott's novels to propose new links between Scott and Romantic-era authors such as Sophia Lee, Jane Porter, Jane Austen, Sydney Owenson, Elizabeth Hands, Thomas Love Peacock, and Robert Bage. In Scott, Jackson-Houlston suggests, sex and vio
Caroline Jackson-Houlston has forty one years' experience teaching Romanticism at Oxford Brookes University, UK and contributed to the Edinburgh Edition of the Waverley Novels for twenty five years as a consultative editor for folksong allusions.
Inhaltsangabe
CONTENTS Chapter 1 Introduction Chapter 2 'Hardly any women at all'?: Gender and genre Chapter 3 Witches, bitches, gipsies: women and psychic power Chapter 4 'Fanaticism ... in the face of the Father?': The displacement of the feminine in Rob Roy and romantic treatments of rape Chapter 5 'The full force of sisterly sorrow': the ethics of justice in The Heart of Mid-Lothian Chapter 6 'A barbarous, unfeminine use of power': romantic constructions of renaissance Queenship Chapter 7 Fathers of their countries? Scott, Porter and male rulers Chapter 8 'A dingy or damaged commodity': circulation, honour and commodification in Scott's Saint Ronan's Well Chapter 9 'She herself must venture ... beyond the prescribed boundary': the construction of gender and cultural difference through four Orientalist fictions Chapter 10 'Men of blood' and 'the speech of a woman' Chapter 11 Mountain maidens and cowgirls: exercise, athleticism, and its ideological constraints for several Scott heroines Chapter 12 Women warriors and other outlaws Chapter 13 Conclusion Select bibliography Index
CONTENTS Chapter 1 Introduction Chapter 2 'Hardly any women at all'?: Gender and genre Chapter 3 Witches, bitches, gipsies: women and psychic power Chapter 4 'Fanaticism ... in the face of the Father?': The displacement of the feminine in Rob Roy and romantic treatments of rape Chapter 5 'The full force of sisterly sorrow': the ethics of justice in The Heart of Mid-Lothian Chapter 6 'A barbarous, unfeminine use of power': romantic constructions of renaissance Queenship Chapter 7 Fathers of their countries? Scott, Porter and male rulers Chapter 8 'A dingy or damaged commodity': circulation, honour and commodification in Scott's Saint Ronan's Well Chapter 9 'She herself must venture ... beyond the prescribed boundary': the construction of gender and cultural difference through four Orientalist fictions Chapter 10 'Men of blood' and 'the speech of a woman' Chapter 11 Mountain maidens and cowgirls: exercise, athleticism, and its ideological constraints for several Scott heroines Chapter 12 Women warriors and other outlaws Chapter 13 Conclusion Select bibliography Index
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