Genealogies of Music and Memory - Everist, Mark
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The history of music is most often written as a sequence of composers and works. But a richer understanding of the music of the past may be obtained by also considering the afterlives of a composer's works. This book asks how the stage works of Christoph Willibald Gluck (1714-87) were cultivated in nineteenth-century Paris, and concludes that although the composer was not represented formally on the stage until 1859, his music was known from a wide range of musical and literary environments.

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Produktbeschreibung
The history of music is most often written as a sequence of composers and works. But a richer understanding of the music of the past may be obtained by also considering the afterlives of a composer's works. This book asks how the stage works of Christoph Willibald Gluck (1714-87) were cultivated in nineteenth-century Paris, and concludes that although the composer was not represented formally on the stage until 1859, his music was known from a wide range of musical and literary environments.
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Autorenporträt
Mark Everist is a musicologist whose field of study includes the music of Western Europe, 1150-1350, music in France between the Restoration and Commune, Music and Cultural Transfer, and Mozart reception. He is Professor of Music at the University of Southampton and was President of the Royal Musical Association from 2011 to 2017.