This volume explores the development of Chinese film from 1896 to 1949 and discusses topics such as the screening of foreign films, the technological development of Chinese national cinema as well as key filmmakers and actors of early Chinese cinema.
This volume explores the development of Chinese film from 1896 to 1949 and discusses topics such as the screening of foreign films, the technological development of Chinese national cinema as well as key filmmakers and actors of early Chinese cinema.
Ding Yaping is the Director of the Film and Television Research Institute of the Chinese National Academy of Arts. He specializes in the history of Chinese film and has published more than 20 monographs. Jin Haina is professor of translation, film and communication studies at the Communication University of China. Her research interests include film translation, translation history, and film history.
Inhaltsangabe
Introduction. 1. The Start of the Silver Journey and Experiments in Domestic Film (1986 1921). 2. The Start of Chinese National Cinema and Movie Star (1922 1931). 3. The Reconstruction of Left wing Film (1932 1933). 4. The Construction of Image and Spirit (1932 1937). 5. Context and Identity (1938 1941). 6. Films in the Occupied Period (1941 1949). 7. Society, Films and Responsibility (1945 1947). 8. Film of the Dramatically Changing Era (1948 1949).
Introduction. 1. The Start of the Silver Journey and Experiments in Domestic Film (1986 1921). 2. The Start of Chinese National Cinema and Movie Star (1922 1931). 3. The Reconstruction of Left wing Film (1932 1933). 4. The Construction of Image and Spirit (1932 1937). 5. Context and Identity (1938 1941). 6. Films in the Occupied Period (1941 1949). 7. Society, Films and Responsibility (1945 1947). 8. Film of the Dramatically Changing Era (1948 1949).
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