Growing from their early roots in Caribbean voodoo to their popularity today, zombies are epidemic. Their presence is pervasive, whether they are found in video games, street signs, hard drives, or even international politics. These eighteen original essays by an interdisciplinary group of scholars examine how the zombie has evolved over time, its continually evolving manifestations in popular culture, and the unpredictable effects the zombie has had on late modernity. Topics covered include representations of zombies in films, the zombie as environmental critique, its role in mass psychology…mehr
Growing from their early roots in Caribbean voodoo to their popularity today, zombies are epidemic. Their presence is pervasive, whether they are found in video games, street signs, hard drives, or even international politics. These eighteen original essays by an interdisciplinary group of scholars examine how the zombie has evolved over time, its continually evolving manifestations in popular culture, and the unpredictable effects the zombie has had on late modernity. Topics covered include representations of zombies in films, the zombie as environmental critique, its role in mass psychology and how issues of race, class and gender are expressed through zombie narratives. Collectively, the work enhances our understanding of the popularity and purposes of horror in the modern era. Instructors considering this book for use in a course may request an examination copy here.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Stephanie Boluk is an assistant professor in Cinema and Digital Media and the English Department at University of California, Davis. She lives in Oakland, California. Wylie Lenz is an assistant professor of English in the humanities and social sciences department at Florida Polytechnic University in Lakeland, Florida.
Inhaltsangabe
Table of Contents Introduction: Generation Z, the Age of Apocalypse (Stephanie Boluk and Wylie Lenz) Zombies as Internal Fear or Threat (Kim Paffenroth) White Zombie and the Creole: William Seabrook's The Magic Island and American Imperialism in Haiti (Gyllian Phillips) The Origin of the Zombie in American Radio and Film: B- Horror, U.S. Empire, and the Politics of Disavowal (Chris Vials) The Eco-Zombie: Environmental Critique in Zombie Fiction (Sarah Juliet Lauro) Lost Bodies/Lost Souls: Night of the Living Dead and Deathdream as Vietnam Narrative (Karen Randell) Shambling Towards Mount Improbable to Be Born: American Evolutionary Anxiety and the Hopeful Monsters of Matheson's I Am Legend and Romero's Dead Films (Sean Moreland) Ztopia: Lessons in Post- Vital Politics in George Romero's Zombie Films (Tyson E. Lewis) Soft Murders: Motion Pictures and Living Death in Diary of the Dead (Randy Laist) Mass Psychology and the Analysis of the Zombie: From Suggestion to Contagion (Phillip Mahoney) Gray Is the New Black: Race, Class, and Zombies (Aalya Ahmad) Cyberpunk and the Living Dead (Andrea Austin) The End Begins: John Wyndham's Zombie Cozy (Terry Harpold) Zombies in a "Deep, Dark Ocean of History": Danny Boyle's Infected and John Wyndham's Triffids as Metaphors of Postwar Britain (Nicole LaRose) Dead and Live Life: Zombies, Queers, and Online Sociality (Shaka McGlotten) The E- Dead: Zombies in the Digital (Brendan Riley) A Brain Is a Terrible Thing to Waste: Isolation U. and the Campus Zombie (Brian Greenspan) Rhetoric Goes Boom(er): Agency, Networks, and Zombies at Play (Scott Reed) The National Strategy for Zombie Containment: Myth Meets Activism in Post-9/11 America (Christopher Zealand) About the Contributors Index
Table of Contents Introduction: Generation Z, the Age of Apocalypse (Stephanie Boluk and Wylie Lenz) Zombies as Internal Fear or Threat (Kim Paffenroth) White Zombie and the Creole: William Seabrook's The Magic Island and American Imperialism in Haiti (Gyllian Phillips) The Origin of the Zombie in American Radio and Film: B- Horror, U.S. Empire, and the Politics of Disavowal (Chris Vials) The Eco-Zombie: Environmental Critique in Zombie Fiction (Sarah Juliet Lauro) Lost Bodies/Lost Souls: Night of the Living Dead and Deathdream as Vietnam Narrative (Karen Randell) Shambling Towards Mount Improbable to Be Born: American Evolutionary Anxiety and the Hopeful Monsters of Matheson's I Am Legend and Romero's Dead Films (Sean Moreland) Ztopia: Lessons in Post- Vital Politics in George Romero's Zombie Films (Tyson E. Lewis) Soft Murders: Motion Pictures and Living Death in Diary of the Dead (Randy Laist) Mass Psychology and the Analysis of the Zombie: From Suggestion to Contagion (Phillip Mahoney) Gray Is the New Black: Race, Class, and Zombies (Aalya Ahmad) Cyberpunk and the Living Dead (Andrea Austin) The End Begins: John Wyndham's Zombie Cozy (Terry Harpold) Zombies in a "Deep, Dark Ocean of History": Danny Boyle's Infected and John Wyndham's Triffids as Metaphors of Postwar Britain (Nicole LaRose) Dead and Live Life: Zombies, Queers, and Online Sociality (Shaka McGlotten) The E- Dead: Zombies in the Digital (Brendan Riley) A Brain Is a Terrible Thing to Waste: Isolation U. and the Campus Zombie (Brian Greenspan) Rhetoric Goes Boom(er): Agency, Networks, and Zombies at Play (Scott Reed) The National Strategy for Zombie Containment: Myth Meets Activism in Post-9/11 America (Christopher Zealand) About the Contributors Index
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