In Geniuses, Addicts, and Scribbling Women, contributors argue for critical attention to the ways in which writers have been portrayed through various genres, modalities, and historical periods, and the significant impact these portrayals have had on the popular imagination.
In Geniuses, Addicts, and Scribbling Women, contributors argue for critical attention to the ways in which writers have been portrayed through various genres, modalities, and historical periods, and the significant impact these portrayals have had on the popular imagination.
Edited by Cynthia Cravens - Contributions by Megan A. Anderson; Julie M. Barst; Sarah Briest; Christopher Burlingame; Sandra Eckard; Amy Hagenrater-Gooding; Melanie Holm; Elizabeth King; Alexandra Oxner and Gian Pagnucci
Inhaltsangabe
Introduction: Geniuses, Addicts, and Scribbling Women: Portraits of the Writer in Popular Culture Cynthia Cravens Chapter One: Finding Their Way: Coming of Age as a Writer in John Irving's The World According to Garp and A Widow for One Year Megan A. Anderson Chapter Two: Traveling with Writers: Gender, Genre, and Creativity in Bleaker House and Less Julie Barst Chapter Three: The Narrating Serpent: Two Distinct Representations of Authorship in Thomas Nashe's The Unfortunate Traveller Sarah Briest Chapter Four: Public Personas of Dangerous Men: Killing Constructed Identities with Suicide by Sequel Christopher Burlingame Chapter Five: Follow the Lead: The Evolving Story of Lois Lane and Her Writing Sandra Eckard Chapter Six: Scribbling Pleasure: Undertaking the Sentence of Desire Amy B. Hagenrater-Gooding Chapter Seven: Jane-as-Fanny: Patricia Rozema's Woman Writer in Mansfield Park Melanie D. Holm Chapter Eight: From Silly Lady Novelists to Celebrity Male Modernists: Gender and the Representation of Authorship in Fiction 1850-1949 Elizabeth King Chapter Nine: Re-gendering Genre: Self-Conscious Supernaturalism in Muriel Spark's The Comforters Alexandra Oxner Chapter Ten: The Evolution of Daredevil's Karen Page: From Damsel-in-Distress to Writer-Hero Gian Pagnucci
Introduction: Geniuses, Addicts, and Scribbling Women: Portraits of the Writer in Popular Culture Cynthia Cravens Chapter One: Finding Their Way: Coming of Age as a Writer in John Irving's The World According to Garp and A Widow for One Year Megan A. Anderson Chapter Two: Traveling with Writers: Gender, Genre, and Creativity in Bleaker House and Less Julie Barst Chapter Three: The Narrating Serpent: Two Distinct Representations of Authorship in Thomas Nashe's The Unfortunate Traveller Sarah Briest Chapter Four: Public Personas of Dangerous Men: Killing Constructed Identities with Suicide by Sequel Christopher Burlingame Chapter Five: Follow the Lead: The Evolving Story of Lois Lane and Her Writing Sandra Eckard Chapter Six: Scribbling Pleasure: Undertaking the Sentence of Desire Amy B. Hagenrater-Gooding Chapter Seven: Jane-as-Fanny: Patricia Rozema's Woman Writer in Mansfield Park Melanie D. Holm Chapter Eight: From Silly Lady Novelists to Celebrity Male Modernists: Gender and the Representation of Authorship in Fiction 1850-1949 Elizabeth King Chapter Nine: Re-gendering Genre: Self-Conscious Supernaturalism in Muriel Spark's The Comforters Alexandra Oxner Chapter Ten: The Evolution of Daredevil's Karen Page: From Damsel-in-Distress to Writer-Hero Gian Pagnucci
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