This book offers an innovative approach to understanding operetta, drawing attention to its malleability and resistance to boundaries. The chapters on an international range of topics serve as summary of the current state of the field, showcasing the many possible pathways for future scholars who wish to explore it.
This book offers an innovative approach to understanding operetta, drawing attention to its malleability and resistance to boundaries. The chapters on an international range of topics serve as summary of the current state of the field, showcasing the many possible pathways for future scholars who wish to explore it.
Bruno Bower is a musicologist, performer, composer, and music editor. His research covers Victorian programme notes, operetta studies, and the social history of polymaths. He currently teaches at the Guildhall School of Music and Drama and in the Centre for Languages, Culture and Communication at Imperial College London, UK. Elisabeth Honn Hoegberg is currently Director of the School of Music, Theatre, and Dance at Oakland University, USA. Her research interests include historical theory and pedagogy and late nineteenth-century French operetta. She is currently writing a monograph on the stage works of Emmanuel Chabrier. Sonja Starkmeth is a musicologist whose research focuses on the musical and socio-cultural aspects of operetta. After her appointment as a research fellow at Goethe-Universität Frankfurt am Main, Germany, she has recently started to work as an in-house editor for choral music at Bärenreiter publishing house.
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