In The Progress of Fun W.S. Gilbert was considered, not as a 'classic Victorian', but as part of an on-going comedic continuum stretching from Aristophanes to Joe Orton and beyond. Pipes and Tabors continues the story, covering the comedic experience differently by reference to genres.
In The Progress of Fun W.S. Gilbert was considered, not as a 'classic Victorian', but as part of an on-going comedic continuum stretching from Aristophanes to Joe Orton and beyond. Pipes and Tabors continues the story, covering the comedic experience differently by reference to genres.
Richard Moore is a graduate of Cambridge University with a doctorate in Christianity and Paganism in Victorian Fiction and a Certificate in Education (Distinction). He works as a free-lance teacher in Higher Education and as a creative writer. Currently he is working on a libretto based on Gilbert's play Foggerty's Fairy, for which any composer-interest would be welcome. His other interests are nature conservation, exploring Scotland's more remote places, and following his enthusiasm for a wide range of historical, literary and musical interests - the last especially including opera, oratorio and ragtime.
Inhaltsangabe
Introduction : Intention and Parameters. Part One : Background and Developments Part Two : Genres and Their Treatment : a) Masque, Dumb-Show and the Pastoral b) Irish Drama: Examples from Boucicault and Elsewhere c) Opera, Tragedy and Politics : The Burlesque Response d) Nautical Burlesque c) Burlesque Melodrama and Gothic Parody d) Burlesque Sensation e) Nonsense and Surrealism. f) Pantomime g) Genres of the Supernatural : Fairies, Diabolism and the Realm of Magic h) Farce as a genre and expression of the Comic Spirit. Part Three : Other genres and Concluding Observations.
Introduction : Intention and Parameters. Part One : Background and Developments Part Two : Genres and Their Treatment : a) Masque, Dumb-Show and the Pastoral b) Irish Drama: Examples from Boucicault and Elsewhere c) Opera, Tragedy and Politics : The Burlesque Response d) Nautical Burlesque c) Burlesque Melodrama and Gothic Parody d) Burlesque Sensation e) Nonsense and Surrealism. f) Pantomime g) Genres of the Supernatural : Fairies, Diabolism and the Realm of Magic h) Farce as a genre and expression of the Comic Spirit. Part Three : Other genres and Concluding Observations.
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