This breakthrough book examines dynamic intersections of poetics and geography. Gathering the essays of an international cohort whose work converges at the crossroads of poetics and the material world, Geopoetics in Practice offers insights into poetry, place, ecology, and writing the world through a critical-creative geographic lens.
This breakthrough book examines dynamic intersections of poetics and geography. Gathering the essays of an international cohort whose work converges at the crossroads of poetics and the material world, Geopoetics in Practice offers insights into poetry, place, ecology, and writing the world through a critical-creative geographic lens.
Eric Magrane is an assistant professor of geography at New Mexico State University. His work takes multiple forms, from scholarly to literary to artistic. He is co-editor of the hybrid field guide/anthology The Sonoran Desert: A Literary Field Guide. Linda Russo, a clinical associate professor at Washington State University, teaches creative writing and literature and directs EcoArts on the Palouse. Her published works include Meaning to Go to the Origin in Some Way and Participant, both poetry, and the co-edited Counter-Desecration: A Glossary for Writing Within the Anthropocene. Sarah de Leeuw, a professor with the Northern Medical Program of UBC's Faculty of Medicine, is a poet, critical geographer, and anti-colonial feminist researcher whose multidisciplinary work focuses on marginalized peoples and places. She is the author of multiple journal papers, entries, chapters, and books (both creative and academic), and a Canada Research Chair in Humanities and Health Inequities. Craig Santos Perez is an Indigenous Chamorro poet and scholar from the Pacific Island of Guam. He is the author of four collections of poetry and the co-editor of three anthologies. He is an associate professor in the English department at the University of Hawai'i, M¿noa.
Inhaltsangabe
List of Tables and Figures Preface Introduction: Geopoetics as Route-Finding Part 1: Documenting 1. Bodies Belong to the World: On Place, Visuality, and Vulnerability 2. A Cosmology of Nibi: Picto-Poetics and Palimpsest in Anishinaabeg Watery Geographies 3. Terma: A Dialogue 4. All Visuals Have Sound: The Verbalization of Geography and the Sound of Landscape 5. Karankawa Carancahua Carancagua Karankaway: Centering Indigenous Presence in Southeast Texas 6. Geopoetics of Intime and ( SUND ): Performing Geochronology in the North Atlantic 7. Seismic, or Topogorgical, Poetry 8. rout/e Part 2: Reading 9. Lyric Geography 10. Ekphrastic Poetry as Method 11. The Topopoetics of Dwelling as Preservation in Lorine Niedecker's Paean to Place 12. Poking Holes in the Colonial Canoe: Creative Writing as Intervention in a 19th-Century Travel Writing Narrative 13. Thukela Poswayo's Poetry of Dwelling 14. Islote Poetics: Notes from Minor Outlying Islands 15. The Unbending of the Faculties: Learning from Frederick Law Olmsted 16. Borne-away: Tracing a Gendered Dispossession by Accumulation Part 3: Intervening 17. The Limits and Promise of Urbopoetics: washpark, Collaboration, and Pedestrian Practice 18. Geopoetics as Collaborative Encounter: Performing Poetic Political Ecologies of the Colorado River 19. Negro-Mountain-Wolves/Notes on Region 20. Hurricane Poetics and Crip Psychogeographies 21. Geopoetics, via Germany 22. Indigenous Pacific Islander Geopoetics 23. Agitating a Copper Lyre Or, Geolyricism for the Age of Digital Reproduction 24. The Poetic Lexicon of Waste: From Asarotos Oikos (A) to Flowers (F) Contributor Bios Acknowledgements Index
List of Tables and Figures Preface Introduction: Geopoetics as Route-Finding Part 1: Documenting 1. Bodies Belong to the World: On Place, Visuality, and Vulnerability 2. A Cosmology of Nibi: Picto-Poetics and Palimpsest in Anishinaabeg Watery Geographies 3. Terma: A Dialogue 4. All Visuals Have Sound: The Verbalization of Geography and the Sound of Landscape 5. Karankawa Carancahua Carancagua Karankaway: Centering Indigenous Presence in Southeast Texas 6. Geopoetics of Intime and ( SUND ): Performing Geochronology in the North Atlantic 7. Seismic, or Topogorgical, Poetry 8. rout/e Part 2: Reading 9. Lyric Geography 10. Ekphrastic Poetry as Method 11. The Topopoetics of Dwelling as Preservation in Lorine Niedecker's Paean to Place 12. Poking Holes in the Colonial Canoe: Creative Writing as Intervention in a 19th-Century Travel Writing Narrative 13. Thukela Poswayo's Poetry of Dwelling 14. Islote Poetics: Notes from Minor Outlying Islands 15. The Unbending of the Faculties: Learning from Frederick Law Olmsted 16. Borne-away: Tracing a Gendered Dispossession by Accumulation Part 3: Intervening 17. The Limits and Promise of Urbopoetics: washpark, Collaboration, and Pedestrian Practice 18. Geopoetics as Collaborative Encounter: Performing Poetic Political Ecologies of the Colorado River 19. Negro-Mountain-Wolves/Notes on Region 20. Hurricane Poetics and Crip Psychogeographies 21. Geopoetics, via Germany 22. Indigenous Pacific Islander Geopoetics 23. Agitating a Copper Lyre Or, Geolyricism for the Age of Digital Reproduction 24. The Poetic Lexicon of Waste: From Asarotos Oikos (A) to Flowers (F) Contributor Bios Acknowledgements Index
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