A study of philosopher George Berkeley's influence on British Romantic poetry, and especially the works of William Blake, Samuel Taylor Coleridge, William Wordsworth, and Percy Bysshe Shelley that offers new readings of Berkeley's works and the development of his style as a writer.
A study of philosopher George Berkeley's influence on British Romantic poetry, and especially the works of William Blake, Samuel Taylor Coleridge, William Wordsworth, and Percy Bysshe Shelley that offers new readings of Berkeley's works and the development of his style as a writer.
Chris Townsend is a College Teaching Officer in English Literature at Christ's College, University of Cambridge, and a researcher working mainly on Romantic poetics and aesthetics. His published articles include work on rhythm in Keats, rhyme in Rossetti, and prose-borne pentameters in Woolf.
Inhaltsangabe
Part One Introduction: Ghostly Language 1: Berkeley and the Language of Philosophy Part Two 2: Spiritual Bodies and Mental Realities in Blake 3: Inside Outness in Coleridge 4: Wordsworth's Ghostly Language 5: Shelley's Uncreative Mind Conclusion: Berkeley and Romanticism
Part One Introduction: Ghostly Language 1: Berkeley and the Language of Philosophy Part Two 2: Spiritual Bodies and Mental Realities in Blake 3: Inside Outness in Coleridge 4: Wordsworth's Ghostly Language 5: Shelley's Uncreative Mind Conclusion: Berkeley and Romanticism
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