George Eliot - Eliot, George
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Poetry is a fascinating use of language. With almost a million words at its command it is not surprising that these Isles have produced some of the most beautiful, moving and descriptive verse through the centuries. In this series we look at individual poets who have shaped and influenced their craft and cement their place in our heritage. In this volume we look at the works of the Victorian Authoress and Poet George Eliot. Mary Anne Evans was born in 1819. Her Father did not consider her a great beauty and thought her chances of marriage were slim. He therefore invested in her education and…mehr

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Produktbeschreibung
Poetry is a fascinating use of language. With almost a million words at its command it is not surprising that these Isles have produced some of the most beautiful, moving and descriptive verse through the centuries. In this series we look at individual poets who have shaped and influenced their craft and cement their place in our heritage. In this volume we look at the works of the Victorian Authoress and Poet George Eliot. Mary Anne Evans was born in 1819. Her Father did not consider her a great beauty and thought her chances of marriage were slim. He therefore invested in her education and by the time she was 16 she had boarded at several schools acquiring a good education. With the death of her mother in 1835 she returned home to keep house for her father and siblings. By 1850 she had moved to London to work at the Westminster Review where she published many articles and essays. The following year Mary Anne or Marian, as she liked to be called, had met George Henry Lewes,...
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Autorenporträt
Mary Anne Evans (22 November 1819 - 22 December 1880; alternatively Mary Ann or Marian), known by her pen name George Eliot, was an English novelist, poet, journalist, translator, and one of the leading writers of the Victorian era. She wrote seven novels, including Adam Bede (1859), The Mill on the Floss (1860), Silas Marner (1861), Romola (1862-63), Middlemarch (1871-72), and Daniel Deronda (1876), most of which are set in provincial England and known for their realism and psychological insight. Although female authors were published under their own names during her lifetime, she wanted to escape the stereotype of women's writing being limited to lighthearted romances. She also wanted to have her fiction judged separately from her already extensive and widely known work as an editor and critic. Another factor in her use of a pen name may have been a desire to shield her private life from public scrutiny, thus avoiding the scandal that would have arisen because of her relationship with the married George Henry Lewes.