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The first full-length study to fully situate Herbert's verse in the early modern culture from which it emerged, this interdisciplinary book argues for an innovative 'musical' mode of reading lyric that will prove illuminating for students and scholars working in early modern literary studies and in seventeenth-century music and theology.

Produktbeschreibung
The first full-length study to fully situate Herbert's verse in the early modern culture from which it emerged, this interdisciplinary book argues for an innovative 'musical' mode of reading lyric that will prove illuminating for students and scholars working in early modern literary studies and in seventeenth-century music and theology.
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Autorenporträt
Simon Jackson is Director of Music at Peterhouse and Little St Mary's Church, Cambridge, and a former Leverhulme Early Career Fellow at the University of Warwick. His work focuses primarily on seventeenth-century musico-poetics, and has won the George Herbert Society Chauncey Wood Award (2013) and an English Literary Renaissance Award (2015).