George Moore: Influence and Collaboration explores in sustained form for the first time the nature of Moore's interactions with other European writers and artists of the fin de siècle. This book explores the full range of Moore's collaborations and cultural encounters: from 1870s Paris art exhibitions to turn-of-the-century Dublin and London.
George Moore: Influence and Collaboration explores in sustained form for the first time the nature of Moore's interactions with other European writers and artists of the fin de siècle. This book explores the full range of Moore's collaborations and cultural encounters: from 1870s Paris art exhibitions to turn-of-the-century Dublin and London.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Edited by Ann Heilmann and Mark Llewellyn - Contributions by Kirsti Bohata; Michel Brunet; Adrian Frazier; Elizabeth Grubgeld; Anna Gruetzner Robins; Jane Jordan; María Elena Jaime de Pablos; Stoddard Martin; Katherine Mullin; Mary Pierse and Nathalie Sau
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Contents Acknowledgments Contributors Introduction Ann Heilmann and Mark Llewellyn Part One: Influence Chapter 1: The Fin de Siècle Meets French Realism: Moore, Balzac and the Peculiarity of Writers Adrian Frazier Chapter 2: "A Visit to an Impressionist Exhibition" in Moore's Confessions of a Young Man Anna Gruetzner Robins Chapter 3: Reading the Notes, Knowing the Score Mary S. Pierce Chapter 4: "Literature at Nurse": George Moore, Ouida and Fin-de-Siècle Literary Censorship Jane Jordan Chapter 5: "The sort of girl I'd like to see behind the bar at the King's Head": Barmaids and Censorship in George Moore Katherine Mullin Chapter 6: Alice Barton: A Portrait of the Artist as a Young (New) Woman? Ann Heilmann and María Elena Jaime de Pablos Chapter 7: "Not fitted for marriage": "Mildred Lawson" and the New Woman Nathalie Saudo-Welby Chapter 8: Gossip, Art and the Public Secret: Moore on his Contemporaries Elizabeth Grubgeld Chapter 9: Readers, Writers and Friends: George Moore and John Eglinton Michel Brunet Chapter 10: Celtic Cousins? George Moore's The Untilled Field and Caradoc Evans's My People Kirsti Bohata Chapter 11: Moore, Wagnerism, and the Shape of the Later Career Stoddard Martin Part Two: Collaboration Co-authorship, Desire and Conflict: Introduction to the Moore/Craigie Collaboration Ann Heilmann The Fool's Hour: A play by John Oliver Hobbes [Pearl Craigie] and George Moore edited by Ann Heilmann Journeys End in Lovers Meeting: Manuscript by George Moore edited and introduced by Mark Llewellyn
Contents Acknowledgments Contributors Introduction Ann Heilmann and Mark Llewellyn Part One: Influence Chapter 1: The Fin de Siècle Meets French Realism: Moore, Balzac and the Peculiarity of Writers Adrian Frazier Chapter 2: "A Visit to an Impressionist Exhibition" in Moore's Confessions of a Young Man Anna Gruetzner Robins Chapter 3: Reading the Notes, Knowing the Score Mary S. Pierce Chapter 4: "Literature at Nurse": George Moore, Ouida and Fin-de-Siècle Literary Censorship Jane Jordan Chapter 5: "The sort of girl I'd like to see behind the bar at the King's Head": Barmaids and Censorship in George Moore Katherine Mullin Chapter 6: Alice Barton: A Portrait of the Artist as a Young (New) Woman? Ann Heilmann and María Elena Jaime de Pablos Chapter 7: "Not fitted for marriage": "Mildred Lawson" and the New Woman Nathalie Saudo-Welby Chapter 8: Gossip, Art and the Public Secret: Moore on his Contemporaries Elizabeth Grubgeld Chapter 9: Readers, Writers and Friends: George Moore and John Eglinton Michel Brunet Chapter 10: Celtic Cousins? George Moore's The Untilled Field and Caradoc Evans's My People Kirsti Bohata Chapter 11: Moore, Wagnerism, and the Shape of the Later Career Stoddard Martin Part Two: Collaboration Co-authorship, Desire and Conflict: Introduction to the Moore/Craigie Collaboration Ann Heilmann The Fool's Hour: A play by John Oliver Hobbes [Pearl Craigie] and George Moore edited by Ann Heilmann Journeys End in Lovers Meeting: Manuscript by George Moore edited and introduced by Mark Llewellyn
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