George Peele
Herausgeber: Bevington, David
George Peele
Herausgeber: Bevington, David
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This volume collects together for the first time the best contemporary published work on the dramatist and author George Peele. Written by renowned scholars, the reprinted essays discuss Peele's prolific literary output, including his Lord Mayor's Pageants, Court Entertainments, occasional poems, and his many plays. The volume features a substantia
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This volume collects together for the first time the best contemporary published work on the dramatist and author George Peele. Written by renowned scholars, the reprinted essays discuss Peele's prolific literary output, including his Lord Mayor's Pageants, Court Entertainments, occasional poems, and his many plays. The volume features a substantia
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 498
- Erscheinungstermin: 14. Oktober 2024
- Englisch
- Abmessung: 246mm x 174mm
- ISBN-13: 9781032919225
- ISBN-10: 1032919221
- Artikelnr.: 71715434
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 498
- Erscheinungstermin: 14. Oktober 2024
- Englisch
- Abmessung: 246mm x 174mm
- ISBN-13: 9781032919225
- ISBN-10: 1032919221
- Artikelnr.: 71715434
David Bevington is Phyllis Fay Horton Distinguished Service Professor Emeritus in the Humanities and Professor in English Language and Literature and Comparative Literature, University of Chicago, USA.
Contents: Introduction; Part I Lord Mayor's Pageants
Court Entertainments
Occasional Poems: Entertainments for court and city
A.R. Braunmuller; 'Many a 'Herdsman' more disposde to morne': Peele
Campion
and the Portugal expedition of 1589
Hugh Gazzard. Part II The Arraignment of Paris: Gifts and reasons: the contexts of Peele's 'The Araygnement of Paris'
Louis Adrian Montrose; The triumph of chastity: form and meaning in The Arraignment of Paris
Andrew von Hendy; Pastoral poetry: the vitality and versatility of a convention
Hallett Smith; Elizabethan epideictic drama: praise and blame in the plays of Peele and Lyly
R. Headlam Wells. Part III The Old Wives Tale: The Protestant context of George Peele's 'pleasant conceited' 'Old Wives Tale'
Frank Ardolino; Homely matter and multiple plots in Peele's 'Old Wives Tale'
John D. Cox; 'Seeing is believing': action and narration in 'The Old Wives Tale' and 'The Winter's Tale'
Philip Edwards; Old wives' tales
George Peele
and narrative abjection
Mary Ellen Lamb; 'Soft
who have we here?': the dramatic technique of 'The Old Wives Tale'
Joan C. Marx; The hearth and the cell: art in 'The Old Wives Tale'
Susan T. Viguers. Part IV The Battle of Alcazar: 'Alcazar': the text and the sources
David Bradley; Moors
villainy and 'The Battle of Alcazar'
Peter Hyland; The Battle of Alcazar
Eldred Jones. Part V Edward I: 'Edward I': in peace triumphant
fortunate in wars
A.R. Braunmuller. Part VI David and Bathsheba: Peele's 'David and Bethsabe': reconsidering Biblical drama of the long 1590s
Annaliese Connolly; The House of David in Renaissance drama: a comparative study
Inga-Stina Ewbank; 'What words
what looks
what wonders?': language and spectacle in the theatre of George Peele
Inga-Stina Ewbank. Part VII Peele and Titus Andronicus: Mutius: an obstacle removed in Titus Andronicus
Brian Boyd; Name index.
Court Entertainments
Occasional Poems: Entertainments for court and city
A.R. Braunmuller; 'Many a 'Herdsman' more disposde to morne': Peele
Campion
and the Portugal expedition of 1589
Hugh Gazzard. Part II The Arraignment of Paris: Gifts and reasons: the contexts of Peele's 'The Araygnement of Paris'
Louis Adrian Montrose; The triumph of chastity: form and meaning in The Arraignment of Paris
Andrew von Hendy; Pastoral poetry: the vitality and versatility of a convention
Hallett Smith; Elizabethan epideictic drama: praise and blame in the plays of Peele and Lyly
R. Headlam Wells. Part III The Old Wives Tale: The Protestant context of George Peele's 'pleasant conceited' 'Old Wives Tale'
Frank Ardolino; Homely matter and multiple plots in Peele's 'Old Wives Tale'
John D. Cox; 'Seeing is believing': action and narration in 'The Old Wives Tale' and 'The Winter's Tale'
Philip Edwards; Old wives' tales
George Peele
and narrative abjection
Mary Ellen Lamb; 'Soft
who have we here?': the dramatic technique of 'The Old Wives Tale'
Joan C. Marx; The hearth and the cell: art in 'The Old Wives Tale'
Susan T. Viguers. Part IV The Battle of Alcazar: 'Alcazar': the text and the sources
David Bradley; Moors
villainy and 'The Battle of Alcazar'
Peter Hyland; The Battle of Alcazar
Eldred Jones. Part V Edward I: 'Edward I': in peace triumphant
fortunate in wars
A.R. Braunmuller. Part VI David and Bathsheba: Peele's 'David and Bethsabe': reconsidering Biblical drama of the long 1590s
Annaliese Connolly; The House of David in Renaissance drama: a comparative study
Inga-Stina Ewbank; 'What words
what looks
what wonders?': language and spectacle in the theatre of George Peele
Inga-Stina Ewbank. Part VII Peele and Titus Andronicus: Mutius: an obstacle removed in Titus Andronicus
Brian Boyd; Name index.
Contents: Introduction; Part I Lord Mayor's Pageants
Court Entertainments
Occasional Poems: Entertainments for court and city
A.R. Braunmuller; 'Many a 'Herdsman' more disposde to morne': Peele
Campion
and the Portugal expedition of 1589
Hugh Gazzard. Part II The Arraignment of Paris: Gifts and reasons: the contexts of Peele's 'The Araygnement of Paris'
Louis Adrian Montrose; The triumph of chastity: form and meaning in The Arraignment of Paris
Andrew von Hendy; Pastoral poetry: the vitality and versatility of a convention
Hallett Smith; Elizabethan epideictic drama: praise and blame in the plays of Peele and Lyly
R. Headlam Wells. Part III The Old Wives Tale: The Protestant context of George Peele's 'pleasant conceited' 'Old Wives Tale'
Frank Ardolino; Homely matter and multiple plots in Peele's 'Old Wives Tale'
John D. Cox; 'Seeing is believing': action and narration in 'The Old Wives Tale' and 'The Winter's Tale'
Philip Edwards; Old wives' tales
George Peele
and narrative abjection
Mary Ellen Lamb; 'Soft
who have we here?': the dramatic technique of 'The Old Wives Tale'
Joan C. Marx; The hearth and the cell: art in 'The Old Wives Tale'
Susan T. Viguers. Part IV The Battle of Alcazar: 'Alcazar': the text and the sources
David Bradley; Moors
villainy and 'The Battle of Alcazar'
Peter Hyland; The Battle of Alcazar
Eldred Jones. Part V Edward I: 'Edward I': in peace triumphant
fortunate in wars
A.R. Braunmuller. Part VI David and Bathsheba: Peele's 'David and Bethsabe': reconsidering Biblical drama of the long 1590s
Annaliese Connolly; The House of David in Renaissance drama: a comparative study
Inga-Stina Ewbank; 'What words
what looks
what wonders?': language and spectacle in the theatre of George Peele
Inga-Stina Ewbank. Part VII Peele and Titus Andronicus: Mutius: an obstacle removed in Titus Andronicus
Brian Boyd; Name index.
Court Entertainments
Occasional Poems: Entertainments for court and city
A.R. Braunmuller; 'Many a 'Herdsman' more disposde to morne': Peele
Campion
and the Portugal expedition of 1589
Hugh Gazzard. Part II The Arraignment of Paris: Gifts and reasons: the contexts of Peele's 'The Araygnement of Paris'
Louis Adrian Montrose; The triumph of chastity: form and meaning in The Arraignment of Paris
Andrew von Hendy; Pastoral poetry: the vitality and versatility of a convention
Hallett Smith; Elizabethan epideictic drama: praise and blame in the plays of Peele and Lyly
R. Headlam Wells. Part III The Old Wives Tale: The Protestant context of George Peele's 'pleasant conceited' 'Old Wives Tale'
Frank Ardolino; Homely matter and multiple plots in Peele's 'Old Wives Tale'
John D. Cox; 'Seeing is believing': action and narration in 'The Old Wives Tale' and 'The Winter's Tale'
Philip Edwards; Old wives' tales
George Peele
and narrative abjection
Mary Ellen Lamb; 'Soft
who have we here?': the dramatic technique of 'The Old Wives Tale'
Joan C. Marx; The hearth and the cell: art in 'The Old Wives Tale'
Susan T. Viguers. Part IV The Battle of Alcazar: 'Alcazar': the text and the sources
David Bradley; Moors
villainy and 'The Battle of Alcazar'
Peter Hyland; The Battle of Alcazar
Eldred Jones. Part V Edward I: 'Edward I': in peace triumphant
fortunate in wars
A.R. Braunmuller. Part VI David and Bathsheba: Peele's 'David and Bethsabe': reconsidering Biblical drama of the long 1590s
Annaliese Connolly; The House of David in Renaissance drama: a comparative study
Inga-Stina Ewbank; 'What words
what looks
what wonders?': language and spectacle in the theatre of George Peele
Inga-Stina Ewbank. Part VII Peele and Titus Andronicus: Mutius: an obstacle removed in Titus Andronicus
Brian Boyd; Name index.