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This expansive edited collection explores in depth the georgic genre and its connections to the natural world. Together, its chapters demonstrate that georgic-a genre based primarily on two classical poems about farming, Virgil's Georgics and Hesiod's Works and Days-has been reworked by writers throughout modern and early modern English-language literary history as a way of thinking about humans' relationships with the environment.
The book is divided into three sections: Defining Georgic, Managing Nature and Eco-Georgic for the Anthropocene. It centres the georgic genre in the ecocritical conversation, giving it equal prominence with pastoral, elegy and lyric as an example of 'nature writing' that can speak to urgent environmental questions throughout literary history and up to the present day. It provides an overview of the myriad ways georgic has been reworked in order to address human relationships with the environment, through focused case studies on individual texts and authors, including James Grainger, William Wordsworth, Henry David Thoreau, George Eliot, Thomas Hardy, Seamus Heaney, Judith Wright and Rachel Blau DuPlessis.
This is a much-needed volume for literary critics, academics and students engaged in ecocritical studies, environmental humanities and literature, addressing a significantly overlooked environmental literary genre.
The book is divided into three sections: Defining Georgic, Managing Nature and Eco-Georgic for the Anthropocene. It centres the georgic genre in the ecocritical conversation, giving it equal prominence with pastoral, elegy and lyric as an example of 'nature writing' that can speak to urgent environmental questions throughout literary history and up to the present day. It provides an overview of the myriad ways georgic has been reworked in order to address human relationships with the environment, through focused case studies on individual texts and authors, including James Grainger, William Wordsworth, Henry David Thoreau, George Eliot, Thomas Hardy, Seamus Heaney, Judith Wright and Rachel Blau DuPlessis.
This is a much-needed volume for literary critics, academics and students engaged in ecocritical studies, environmental humanities and literature, addressing a significantly overlooked environmental literary genre.
"The georgic is the genre of the Anthropocene. More than pastoral, georgic means a working countryside, humans embedded with nonhumans, sustaining without exploiting. These essays pose critical ecological questions arising from centuries of writing from Hesiod and Virgil to John Clare, Derek Jarman and Isabella Tree. Now more than ever we need the georgic to think with."
Donna Landry, Emeritus Professor of English and American Literature, University of Kent, UK
Donna Landry, Emeritus Professor of English and American Literature, University of Kent, UK