The first in-depth historical study of the origins of spectral music, which is widely regarded, alongside minimalism, as one of the two most influential compositional movements of the last fifty years. The book will appeal to anyone interested in how classical music developed in the late twentieth century.
The first in-depth historical study of the origins of spectral music, which is widely regarded, alongside minimalism, as one of the two most influential compositional movements of the last fifty years. The book will appeal to anyone interested in how classical music developed in the late twentieth century.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Liam Cagney is the co-editor of the Oxford Handbook of Spectral Music, and his musical criticism appears regularly in places like Gramophone, the Guardian, the Telegraph, the Spectator, the TLS, and the Irish Times. He is the recipient of an Arts Council of Ireland Emerging Writer Bursary and a City, University of London doctoral studentship. He teaches at BIMM University.
Inhaltsangabe
Introduction PART I. Grisey's Style 1. Grisey's early formation (1960-65) 2. Messiaen's class and new music in late 1960s Paris (1967-70) 3. Statistical serialism and Vagues, chemins, le souffle (1970-72) 4. On the threshold: D'eau et de pierre (1972) PART II. Spectral Music 5. Psychoacoustics and the new compositional framework (1973-74) 6. L'Itinéraire and synthetic music (1973-76) 7. New Dimensions (1976-78) 8. Spectral music and écriture liminale (1979-82) Conclusion.
Introduction PART I. Grisey's Style 1. Grisey's early formation (1960-65) 2. Messiaen's class and new music in late 1960s Paris (1967-70) 3. Statistical serialism and Vagues, chemins, le souffle (1970-72) 4. On the threshold: D'eau et de pierre (1972) PART II. Spectral Music 5. Psychoacoustics and the new compositional framework (1973-74) 6. L'Itinéraire and synthetic music (1973-76) 7. New Dimensions (1976-78) 8. Spectral music and écriture liminale (1979-82) Conclusion.
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