Gerhard Richter
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The first collection of essays on Gerhard Richter, who has been called "the greatest modern painter."

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Produktbeschreibung
The first collection of essays on Gerhard Richter, who has been called "the greatest modern painter."
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Autorenporträt
Benjamin H. D. Buchloh is Andrew W. Mellon Professor of Modern Art in the Department of History of Art and Architecture at Harvard University and an editor of October magazine. He is the author of Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975 (MIT Press) and other books. Benjamin H. D. Buchloh is Andrew W. Mellon Professor of Modern Art in the Department of History of Art and Architecture at Harvard University and an editor of October magazine. He is the author of Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975 (MIT Press) and other books. Benjamin H. D. Buchloh is Andrew W. Mellon Professor of Modern Art in the Department of History of Art and Architecture at Harvard University and an editor of October magazine. He is the author of Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975 (MIT Press) and other books. Peter Osborne is Professor of Modern European Philosophy and Director of the Centre for Research in Modern European Philosophy at Middlesex University, London. Editor of the journal Radical Philosophy, he is the author of The Politics of Time: Modernity and Avant-Garde. Hal Foster is Townsend Martin '17 Professor of Art and Archaeology at Princeton University and the author of Prosthetic Gods (MIT Press) and other books. Rachel Haidu is Associate Professor in the Department of Art and Art History and the Graduate Program in Visual and Cultural Studies at the University of Rochester. Benjamin H. D. Buchloh is Andrew W. Mellon Professor of Modern Art in the Department of History of Art and Architecture at Harvard University and an editor of October magazine. He is the author of Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975 (MIT Press) and other books.