This study of the impact of Staël and her novels in Germany from 1800-1850 focuses on debates over gender and authorship, first examining commentary and reviews by prominent literary men and women, and then analyzing a number of novels by women writers that rework Staël's themes of politics and female artistry.
This study of the impact of Staël and her novels in Germany from 1800-1850 focuses on debates over gender and authorship, first examining commentary and reviews by prominent literary men and women, and then analyzing a number of novels by women writers that rework Staël's themes of politics and female artistry.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Judith E. Martin is associate professor of German at Missouri State University.
Inhaltsangabe
1 Introduction 2 Part I: Staël as Icon of Female Celebrity and Political Engagement 3 Chapter 1: Staël in German Discourse on Literature, Gender, and National Character 4 Chapter 2: Early Fictional Responses: Politics, National Identity, and Gender in the Novels of Karoline Paulus and F.H. Unger 5 Part II: Staël's Corinne and the Female Artisit Novel 6 Chapter 3: Corinne and the Female Artisit Novel: Caroline Auguste Fischer's Romantic Defiance 7 Chapter 4: Caroline Pichler's and Johanna Schopenhaur's Restoration Conformity: Corinne as an Underground Artist 8 Chapter 5: Radical Revisions by Ida Hahn-Hahn and Luise Mühlbach: Art, Love, and Emancipation in the Vormarz 9 Conclusion 10 Bibliography
1 Introduction 2 Part I: Staël as Icon of Female Celebrity and Political Engagement 3 Chapter 1: Staël in German Discourse on Literature, Gender, and National Character 4 Chapter 2: Early Fictional Responses: Politics, National Identity, and Gender in the Novels of Karoline Paulus and F.H. Unger 5 Part II: Staël's Corinne and the Female Artisit Novel 6 Chapter 3: Corinne and the Female Artisit Novel: Caroline Auguste Fischer's Romantic Defiance 7 Chapter 4: Caroline Pichler's and Johanna Schopenhaur's Restoration Conformity: Corinne as an Underground Artist 8 Chapter 5: Radical Revisions by Ida Hahn-Hahn and Luise Mühlbach: Art, Love, and Emancipation in the Vormarz 9 Conclusion 10 Bibliography
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