his ambitious volume collects penetrating essays on the distinctive theories, practices, and social-historical contexts that defined television in Germany.
his ambitious volume collects penetrating essays on the distinctive theories, practices, and social-historical contexts that defined television in Germany.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Larson Powell is Professor of German and Film Studies at the University of Missouri - Kansas City. His publications include the books The Technological Unconscious in Modern German Literature (2008) and a volume on post-1945 electronic media arts, The Differentiation of Modernism (2013).
Inhaltsangabe
List of Figures Introduction Larson Powell and Robert Shandley PART I: TECHNICAL PREHISTORY AND THEORETICAL APPROACHES Chapter 1. Contingencies and Ruptures in the Technological History of Television Wolfgang Hagen Chapter 2. Boredom, War and Paradox: German Theories of Television Larson Powell PART II: GDR TELEVISION Chapter 3. 'Just Like in the West, Except Different:' Television and its Relationship to Film in the Context of 1950s GDR Development Thomas Beutelschmidt Chapter 4. Adventures in Stagnation: Gottfried Kolditz's Unfilmed Project Zimtpiraten Evan Torner PART III: TELEVISION IN THE FEDERAL REPUBLIC: AUTEURIST TV Chapter 5. "A challenge, maybe the greatest for a filmmaker": Televisual Perspectives on Rainer Werner Fassbinder's Martha (1974) Brad Prager Chapter 6. Nah am Fern: Kluge TV Stefanie Harris PART IV: PRESENT AND FUTURE PERSPECTIVES Chapter 7. Television History in Germany: Media-Political and Media-Ethical Aspects Rüdiger Steinmetz Chapter 8. Germany as TV Show Import Market Lothar Mikos Chapter 9. Heritage, Heimat, and German Historical 'Event Television': Nico Hofmann's teamWorx Paul Cooke Chapter 10. Once Upon a Crime: Tatort, Germany's Longest Running Police Procedural Bärbel Göbel-Stolz Bibliography
List of Figures Introduction Larson Powell and Robert Shandley PART I: TECHNICAL PREHISTORY AND THEORETICAL APPROACHES Chapter 1. Contingencies and Ruptures in the Technological History of Television Wolfgang Hagen Chapter 2. Boredom, War and Paradox: German Theories of Television Larson Powell PART II: GDR TELEVISION Chapter 3. 'Just Like in the West, Except Different:' Television and its Relationship to Film in the Context of 1950s GDR Development Thomas Beutelschmidt Chapter 4. Adventures in Stagnation: Gottfried Kolditz's Unfilmed Project Zimtpiraten Evan Torner PART III: TELEVISION IN THE FEDERAL REPUBLIC: AUTEURIST TV Chapter 5. "A challenge, maybe the greatest for a filmmaker": Televisual Perspectives on Rainer Werner Fassbinder's Martha (1974) Brad Prager Chapter 6. Nah am Fern: Kluge TV Stefanie Harris PART IV: PRESENT AND FUTURE PERSPECTIVES Chapter 7. Television History in Germany: Media-Political and Media-Ethical Aspects Rüdiger Steinmetz Chapter 8. Germany as TV Show Import Market Lothar Mikos Chapter 9. Heritage, Heimat, and German Historical 'Event Television': Nico Hofmann's teamWorx Paul Cooke Chapter 10. Once Upon a Crime: Tatort, Germany's Longest Running Police Procedural Bärbel Göbel-Stolz Bibliography
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