Die germanische Mythologie erlebt derzeit einen deutlichen Boom in den audiovisuellen Medien, insbesondere bei jüngeren Generationen. Helden wie Thor, Odin oder Siegfried bevölkern Fernseh- und Comicserien, Filme und Videospiele. Wann und warum ist dieses Interesse an der germanischen Mythologie in den Medien entstanden? Ausgehend von der Interpretation der Mythen, die Richard Wagner Ende des 19. Jahrhunderts in Der Ring der Nibelungen verwendet, untersuchen die Artikel in diesem Band die Rezeption germanischer Mythen in den audiovisuellen Medien im Laufe des 20. und 21. Jahrhunderts.
Die germanische Mythologie erlebt derzeit einen deutlichen Boom in den audiovisuellen Medien, insbesondere bei jüngeren Generationen. Helden wie Thor, Odin oder Siegfried bevölkern Fernseh- und Comicserien, Filme und Videospiele. Wann und warum ist dieses Interesse an der germanischen Mythologie in den Medien entstanden? Ausgehend von der Interpretation der Mythen, die Richard Wagner Ende des 19. Jahrhunderts in Der Ring der Nibelungen verwendet, untersuchen die Artikel in diesem Band die Rezeption germanischer Mythen in den audiovisuellen Medien im Laufe des 20. und 21. Jahrhunderts.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
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Autorenporträt
Prof. Dr. Paloma Ortiz-de-Urbina lehrt Germanistik und Musikwissenschaft an der Universidad de Alcalá de Henares, Madrid.
Inhaltsangabe
AknowledgementsIntroduction 1 Richard Wagner and His Impact on Contemporary Audiovisual CulturePaloma Ortiz-de-Urbina: The Siegfried myth in opera and on film: from Richard Wagner to Fritz LangMagda Polo Pujadas: The Ring of the Nibelung: Philosophy, Wagner and La Fura dels BausMiguel Salmerón Infante: Staging Wotan: Chéreau, Schenk, Fura del BausJesús Pérez-Garcia: Die Wandlung des Nibelungenmythos in der bande dessinée von Sébastien Ferran L'Anneau des Nibelungen 2 Germanic Myths in Audiovisual Adapation and translationHeidi Grünewald: Mythos und Utopie in Fritz Langs NibelungenfilmLaura Arenas: The image of Germany in German films. A study of national stereotypes in two film adaptions of the epic poem NibelungenliedPeio Gómez Larrambe: Artusmythos und Transtextualität in Monty Python and the Holy Grail Elena Castro Garcia: The Duality of Translation in Historical Television Series: Vikings3 Germanic Myths in Television, Videogames and Propaganda PostersAna Melendo Cruz: Odin and Ragnar in the television series Vikings: Between myth and legendIrene Sanz Alonso: Rewriting Germanic Myths in Video Games: The Witcher, Hellblade, God of War IVMaria Jesús Fernández-Gil: Intersemiotic Analysis of Nazi Posters: Nordic Mythology at the Service of Arianism4 Ecocritical Use of Germanic Myths and Comparative MythologyLorena Silos Ribas: How to Train Your Dragon: an Ecocritical Approach to Myth CriticismLorraine Kerslake Young: In the beginning was Crow: Reinventing and Subverting the Creation MythYue Wen: Norse Mythology and Chinese Mythology in Comparison: The Origin of the Cosmos, Time and SpaceContributorsBibliographyIntroduction
1. Richard Wagner and His Impact on Contemporary Audiovisual Culture Paloma Ortiz-de-Urbina: The Siegfried Myth in Opera and on Film: From Richard Wagner to Fritz Lang Magda Polo: The Ring of the Nibelung: Philosophy, Wagner and La Fura dels Baus Miguel Salmerón: Staging Wotan: Chereau, Schenk and La Fura dels Baus Die Wandlung des Nibelungenmythos in der bande Jesús Pérez-García: dessinée von Sébastien Ferran LAnneau des Nibelungen
2. Germanic Myths in Audiovisual Adaptation and Translation Heidi Grünewald: Zwischen Mythos und Utopie. Ästhetische Paradigmen in Fritz Langs Nibelungen-Film Laura Arenas: The Image of Germany in German Films. A Study of National Stereotypes in Two Film Adaptions of the Epic Poem Nibelungenlied Peio Gómez: Artusmythos und Transtextualität in Monty Python and the Holy Grail Elena Castro: The Duality of Translation in Historical Television Series: Vikings
3. Germanic Myths in Television, Videogames and Propaganda Posters Ana Melendo: Odin and Ragnar in the Television Series Vikings (2013): Between Myth and Legend Irene Sanz: Rebuilding Germanic Myths in Video Games: The Witcher, Hellblade and God of War IV María Jesús Fernández-Gil: Intersemiotic Analysis of Nazi Posters: Nordic Mythology at the Service of Arianism
4. Ecocritical Use of Germanic Myths and Comparative Mythology Lorena Silos: How to Train Your Dragon: An Ecocritical Approach to Myth Criticism Lorraine Kerslake: In the Beginning Was Crow: Subverting Christianity and Reinventing the Creation Myth Wen Yue: Norse Mythology and Chinese Mythology in Comparison: The Origin of the Cosmos, Time and Space
AknowledgementsIntroduction 1 Richard Wagner and His Impact on Contemporary Audiovisual CulturePaloma Ortiz-de-Urbina: The Siegfried myth in opera and on film: from Richard Wagner to Fritz LangMagda Polo Pujadas: The Ring of the Nibelung: Philosophy, Wagner and La Fura dels BausMiguel Salmerón Infante: Staging Wotan: Chéreau, Schenk, Fura del BausJesús Pérez-Garcia: Die Wandlung des Nibelungenmythos in der bande dessinée von Sébastien Ferran L'Anneau des Nibelungen 2 Germanic Myths in Audiovisual Adapation and translationHeidi Grünewald: Mythos und Utopie in Fritz Langs NibelungenfilmLaura Arenas: The image of Germany in German films. A study of national stereotypes in two film adaptions of the epic poem NibelungenliedPeio Gómez Larrambe: Artusmythos und Transtextualität in Monty Python and the Holy Grail Elena Castro Garcia: The Duality of Translation in Historical Television Series: Vikings3 Germanic Myths in Television, Videogames and Propaganda PostersAna Melendo Cruz: Odin and Ragnar in the television series Vikings: Between myth and legendIrene Sanz Alonso: Rewriting Germanic Myths in Video Games: The Witcher, Hellblade, God of War IVMaria Jesús Fernández-Gil: Intersemiotic Analysis of Nazi Posters: Nordic Mythology at the Service of Arianism4 Ecocritical Use of Germanic Myths and Comparative MythologyLorena Silos Ribas: How to Train Your Dragon: an Ecocritical Approach to Myth CriticismLorraine Kerslake Young: In the beginning was Crow: Reinventing and Subverting the Creation MythYue Wen: Norse Mythology and Chinese Mythology in Comparison: The Origin of the Cosmos, Time and SpaceContributorsBibliographyIntroduction
1. Richard Wagner and His Impact on Contemporary Audiovisual Culture Paloma Ortiz-de-Urbina: The Siegfried Myth in Opera and on Film: From Richard Wagner to Fritz Lang Magda Polo: The Ring of the Nibelung: Philosophy, Wagner and La Fura dels Baus Miguel Salmerón: Staging Wotan: Chereau, Schenk and La Fura dels Baus Die Wandlung des Nibelungenmythos in der bande Jesús Pérez-García: dessinée von Sébastien Ferran LAnneau des Nibelungen
2. Germanic Myths in Audiovisual Adaptation and Translation Heidi Grünewald: Zwischen Mythos und Utopie. Ästhetische Paradigmen in Fritz Langs Nibelungen-Film Laura Arenas: The Image of Germany in German Films. A Study of National Stereotypes in Two Film Adaptions of the Epic Poem Nibelungenlied Peio Gómez: Artusmythos und Transtextualität in Monty Python and the Holy Grail Elena Castro: The Duality of Translation in Historical Television Series: Vikings
3. Germanic Myths in Television, Videogames and Propaganda Posters Ana Melendo: Odin and Ragnar in the Television Series Vikings (2013): Between Myth and Legend Irene Sanz: Rebuilding Germanic Myths in Video Games: The Witcher, Hellblade and God of War IV María Jesús Fernández-Gil: Intersemiotic Analysis of Nazi Posters: Nordic Mythology at the Service of Arianism
4. Ecocritical Use of Germanic Myths and Comparative Mythology Lorena Silos: How to Train Your Dragon: An Ecocritical Approach to Myth Criticism Lorraine Kerslake: In the Beginning Was Crow: Subverting Christianity and Reinventing the Creation Myth Wen Yue: Norse Mythology and Chinese Mythology in Comparison: The Origin of the Cosmos, Time and Space
Bibliography List of Names Contributors
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