Germany in the Loud Twentieth Century
An Introduction
Herausgeber: Feiereisen, Florence; Hill, Alexandra Merley
Germany in the Loud Twentieth Century
An Introduction
Herausgeber: Feiereisen, Florence; Hill, Alexandra Merley
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This book introduces German Sound Studies using a transdisciplinary approach. It invites readers to auralize space by describing characteristically German soundscapes in the long twentieth century, including the noisy city of the early 1900s, the sounds of East and West Germany, and hip-hop soundscapes of the millennium.
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This book introduces German Sound Studies using a transdisciplinary approach. It invites readers to auralize space by describing characteristically German soundscapes in the long twentieth century, including the noisy city of the early 1900s, the sounds of East and West Germany, and hip-hop soundscapes of the millennium.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press
- Seitenzahl: 200
- Erscheinungstermin: 30. November 2011
- Englisch
- Abmessung: 233mm x 156mm x 14mm
- Gewicht: 275g
- ISBN-13: 9780199759385
- ISBN-10: 0199759383
- Artikelnr.: 33722385
- Verlag: Oxford University Press
- Seitenzahl: 200
- Erscheinungstermin: 30. November 2011
- Englisch
- Abmessung: 233mm x 156mm x 14mm
- Gewicht: 275g
- ISBN-13: 9780199759385
- ISBN-10: 0199759383
- Artikelnr.: 33722385
Florence Feiereisen is Assistant Professor of German at Middlebury College, where she teaches classes on German literature, pop culture, national identity, gender, and sound. Her areas of research include investigating the relationship of selected German contemporary literary texts with other media such as photography and sound. Alexandra Merley Hill is Assistant Professor of German at the University of Portland, where she teaches all levels of German language, literature, and culture. Her research areas include twentieth-century German art, feminism, motherhood, and contemporary German literature, with a focus on author Julia Franck.
* Introduction to the Study of German Sounds: Tuning in to the Aural
Ether, Florence Feiereisen and Alexandra Merley Hill
* Section I: New Sounds in the 20th Century: Sounds, Noise, Silence
* Chapter 1: Escaping the Urban Din: A Comparative Study of Theodor
Lessing's Antilärmverein (1908) and Maximilian Negwer's Ohropax
(1907/8), John Goodyear
* Chapter 2: When Only the Ears are Awake: Günter Eich and the
Acoustical Unconscious, Robert Ryder
* Section II: Defining Space Through Sound: Battlefields and Concert
Halls
* Chapter 3: The Sonic Mindedness of the Great War: Viewing History
through Auditory Lenses, Yaron Jean
* Chapter 4: From Seat Cushions to Formulae: Understanding Spatial
Acoustics in Physics and Architecture, Sabine von Fischer
* Section III: East and West: Sounds in the Shadow of the Wall
* Chapter 5: From the Boiler Room to the Hotel Room: Sound and Space in
Wolfgang Hilbig's Das Provisorium (2000), Curtis Swope
* Chapter 6: Berlin Sounds: Audible Cartography of a Formerly Divided
City, Nicole Dietrich
* Section IV: The Politics of Sound: Walls with Ears
* Chapter 7: Sound and Socialist Identity: Negotiating the Musical
Soundscape in the Stalinist GDR, David Tompkins
* Chapter 8: Audibility is a Trap: Aural Panopticon in The Lives of
Others (2006), Christiana Lenk
* Section V: Soundscapers of the Millennium: Sound Art and Music Sounds
* Chapter 9: Sound Art - New Only In Name: A Selected History of German
Sound Works from the Last Century, Brett M. Van Hoesen and Jean-Paul
Perrotte
* Chapter 10: Ghettos, Hoods, Blocks: The Sounds of German Space in Rap
and Hip-Hop, Maria Stehle
* Bibliography
* Index
Ether, Florence Feiereisen and Alexandra Merley Hill
* Section I: New Sounds in the 20th Century: Sounds, Noise, Silence
* Chapter 1: Escaping the Urban Din: A Comparative Study of Theodor
Lessing's Antilärmverein (1908) and Maximilian Negwer's Ohropax
(1907/8), John Goodyear
* Chapter 2: When Only the Ears are Awake: Günter Eich and the
Acoustical Unconscious, Robert Ryder
* Section II: Defining Space Through Sound: Battlefields and Concert
Halls
* Chapter 3: The Sonic Mindedness of the Great War: Viewing History
through Auditory Lenses, Yaron Jean
* Chapter 4: From Seat Cushions to Formulae: Understanding Spatial
Acoustics in Physics and Architecture, Sabine von Fischer
* Section III: East and West: Sounds in the Shadow of the Wall
* Chapter 5: From the Boiler Room to the Hotel Room: Sound and Space in
Wolfgang Hilbig's Das Provisorium (2000), Curtis Swope
* Chapter 6: Berlin Sounds: Audible Cartography of a Formerly Divided
City, Nicole Dietrich
* Section IV: The Politics of Sound: Walls with Ears
* Chapter 7: Sound and Socialist Identity: Negotiating the Musical
Soundscape in the Stalinist GDR, David Tompkins
* Chapter 8: Audibility is a Trap: Aural Panopticon in The Lives of
Others (2006), Christiana Lenk
* Section V: Soundscapers of the Millennium: Sound Art and Music Sounds
* Chapter 9: Sound Art - New Only In Name: A Selected History of German
Sound Works from the Last Century, Brett M. Van Hoesen and Jean-Paul
Perrotte
* Chapter 10: Ghettos, Hoods, Blocks: The Sounds of German Space in Rap
and Hip-Hop, Maria Stehle
* Bibliography
* Index
* Introduction to the Study of German Sounds: Tuning in to the Aural
Ether, Florence Feiereisen and Alexandra Merley Hill
* Section I: New Sounds in the 20th Century: Sounds, Noise, Silence
* Chapter 1: Escaping the Urban Din: A Comparative Study of Theodor
Lessing's Antilärmverein (1908) and Maximilian Negwer's Ohropax
(1907/8), John Goodyear
* Chapter 2: When Only the Ears are Awake: Günter Eich and the
Acoustical Unconscious, Robert Ryder
* Section II: Defining Space Through Sound: Battlefields and Concert
Halls
* Chapter 3: The Sonic Mindedness of the Great War: Viewing History
through Auditory Lenses, Yaron Jean
* Chapter 4: From Seat Cushions to Formulae: Understanding Spatial
Acoustics in Physics and Architecture, Sabine von Fischer
* Section III: East and West: Sounds in the Shadow of the Wall
* Chapter 5: From the Boiler Room to the Hotel Room: Sound and Space in
Wolfgang Hilbig's Das Provisorium (2000), Curtis Swope
* Chapter 6: Berlin Sounds: Audible Cartography of a Formerly Divided
City, Nicole Dietrich
* Section IV: The Politics of Sound: Walls with Ears
* Chapter 7: Sound and Socialist Identity: Negotiating the Musical
Soundscape in the Stalinist GDR, David Tompkins
* Chapter 8: Audibility is a Trap: Aural Panopticon in The Lives of
Others (2006), Christiana Lenk
* Section V: Soundscapers of the Millennium: Sound Art and Music Sounds
* Chapter 9: Sound Art - New Only In Name: A Selected History of German
Sound Works from the Last Century, Brett M. Van Hoesen and Jean-Paul
Perrotte
* Chapter 10: Ghettos, Hoods, Blocks: The Sounds of German Space in Rap
and Hip-Hop, Maria Stehle
* Bibliography
* Index
Ether, Florence Feiereisen and Alexandra Merley Hill
* Section I: New Sounds in the 20th Century: Sounds, Noise, Silence
* Chapter 1: Escaping the Urban Din: A Comparative Study of Theodor
Lessing's Antilärmverein (1908) and Maximilian Negwer's Ohropax
(1907/8), John Goodyear
* Chapter 2: When Only the Ears are Awake: Günter Eich and the
Acoustical Unconscious, Robert Ryder
* Section II: Defining Space Through Sound: Battlefields and Concert
Halls
* Chapter 3: The Sonic Mindedness of the Great War: Viewing History
through Auditory Lenses, Yaron Jean
* Chapter 4: From Seat Cushions to Formulae: Understanding Spatial
Acoustics in Physics and Architecture, Sabine von Fischer
* Section III: East and West: Sounds in the Shadow of the Wall
* Chapter 5: From the Boiler Room to the Hotel Room: Sound and Space in
Wolfgang Hilbig's Das Provisorium (2000), Curtis Swope
* Chapter 6: Berlin Sounds: Audible Cartography of a Formerly Divided
City, Nicole Dietrich
* Section IV: The Politics of Sound: Walls with Ears
* Chapter 7: Sound and Socialist Identity: Negotiating the Musical
Soundscape in the Stalinist GDR, David Tompkins
* Chapter 8: Audibility is a Trap: Aural Panopticon in The Lives of
Others (2006), Christiana Lenk
* Section V: Soundscapers of the Millennium: Sound Art and Music Sounds
* Chapter 9: Sound Art - New Only In Name: A Selected History of German
Sound Works from the Last Century, Brett M. Van Hoesen and Jean-Paul
Perrotte
* Chapter 10: Ghettos, Hoods, Blocks: The Sounds of German Space in Rap
and Hip-Hop, Maria Stehle
* Bibliography
* Index