By examining not the ways that Stein portrayed the popular in her work, but the ways the popular portrayed her, this study shows that there was an intimate relationship between literary modernism and mainstream culture and that modernist writers and texts were much more well-known than has been previously acknowledged.
By examining not the ways that Stein portrayed the popular in her work, but the ways the popular portrayed her, this study shows that there was an intimate relationship between literary modernism and mainstream culture and that modernist writers and texts were much more well-known than has been previously acknowledged.
Karen Leick is an Assistant Professor of English at Ohio State University.
Inhaltsangabe
List of Figures Acknowledgments Chapter One: Introduction Chapter Two: The 1910s: Experimental Art and the American Public Chapter Three: The 1920s: Modernism and the Mainstream Press Chapter Four: The 1930s: Bestselling Modernism Conclusion: Stein and Hollywood Notes Selected Bibliography Index
List of Figures Acknowledgments Chapter One: Introduction Chapter Two: The 1910s: Experimental Art and the American Public Chapter Three: The 1920s: Modernism and the Mainstream Press Chapter Four: The 1930s: Bestselling Modernism Conclusion: Stein and Hollywood Notes Selected Bibliography Index
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