This book describes the ideological, intellectual, and literary role of ghost stories in late Renaissance France. It takes in prominent literary figures - Rabelais, Ronsard, Montaigne - as well as lesser known tracts and pamphlets to shed new light on the beliefs, fears, and desires of a period on the threshold of modernity.
This book describes the ideological, intellectual, and literary role of ghost stories in late Renaissance France. It takes in prominent literary figures - Rabelais, Ronsard, Montaigne - as well as lesser known tracts and pamphlets to shed new light on the beliefs, fears, and desires of a period on the threshold of modernity.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
A specialist in early modern French literature and thought, Timothy Chesters was awarded his doctorate at Balliol College, Oxford, in 2005. Since then he has taught in Oxford and Royal Holloway, University of London, where he has been a lecturer in Modern Languages since 2007. Besides his work on ghosts and demonology, his research interests include nineteenth-century attitudes towards the early modern, and the relationship between phenomenology and literature in the work of Maurice Merleau-Ponty and the Geneva School of literary criticism. His latest project is a book on Flaubert and the French Renaissance.
Inhaltsangabe
Introduction PART ONE: Ghosts and Religion I: A Religious Controversy II: Pastoral Demonology PART TWO: Ghosts Beyond Religion III: Beyond Purgatory IV: Spectrology PART THREE: Stories V: The Show of Violence VI: Revenant Lovers Conclusion: 'Plus je me hante...' Bibliography Index
Introduction PART ONE: Ghosts and Religion I: A Religious Controversy II: Pastoral Demonology PART TWO: Ghosts Beyond Religion III: Beyond Purgatory IV: Spectrology PART THREE: Stories V: The Show of Violence VI: Revenant Lovers Conclusion: 'Plus je me hante...' Bibliography Index
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