Gingernutz in Full Bloom
From Supermodel to Super Stylist--And Beyond Fashion
24,99 €
inkl. MwSt.
Versandfertig in über 4 Wochen
Gingernutz in Full Bloom
From Supermodel to Super Stylist--And Beyond Fashion
- Gebundenes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
The third and final instalment of the GingerNutz series inspired by legendary model and fashion editor Grace Coddington
Andere Kunden interessierten sich auch für
- Gingernutz24,99 €
- Jérôme HanoverDior in Bloom73,99 €
- Full of Characters30,99 €
- Marc JacobsIllustrated48,99 €
- Timothy YoungDrawn to Enchant38,99 €
- Chanel67,99 €
- Design in Bloom35,50 €
-
-
-
The third and final instalment of the GingerNutz series inspired by legendary model and fashion editor Grace Coddington
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Bellwind Books
- Seitenzahl: 80
- Erscheinungstermin: 17. November 2020
- Englisch
- Abmessung: 244mm x 173mm x 18mm
- Gewicht: 454g
- ISBN-13: 9780998701875
- ISBN-10: 0998701874
- Artikelnr.: 59511803
- Verlag: Bellwind Books
- Seitenzahl: 80
- Erscheinungstermin: 17. November 2020
- Englisch
- Abmessung: 244mm x 173mm x 18mm
- Gewicht: 454g
- ISBN-13: 9780998701875
- ISBN-10: 0998701874
- Artikelnr.: 59511803
Often described as "visionary," Michael Roberts was appointed the first fashion director of the New Yorker in 1997. The following decade, Graydon Carter named him fashion and style director of Vanity Fair, where he continues as the emeritus style editor-at-large. A celebrated illustrator and as a filmmaker, Michael Roberts is a recipient of an MTV award. He has authored many books, among them The Snippy World of Fashion Artist Michael Roberts (Steidl, 2005) and Fashion Victims (Harper Collins, 2008. Roberts also wrote Grace Coddington's memoir and edited two volumes of her work, Thirty Years of Fashion at Vogue and The American Vogue Years. He wrote, coproduced, and directed Manolo: The Boy Who Made Shoes for Lizards (2017). Roberts lives and works in Taormina, Sicily. Grace Coddington's extraordinary talent and fierce dedication to her work as creative director of Vogue have made her an international icon. The daughter of a hotelier in Wales, Coddington was a teenager when she won a Vogue modeling competition and moved to London to become one of the top models on the city's swinging 1960s fashion scene. In 1968, she decided she wanted to work behind the camera and was hired by British Vogue as a junior editor. She soon established herself as a master stylist and in 1988 joined Anna Wintour at American Vogue, where she became its creative director at large.
Sample Texts:
During the early days, GingerNutz's first attempts at magazine styling were
also not what you might call a runaway success. It was especially
unfortunate when the bunches of overripe bananas she artistically draped
around several chic black Yves St. Laurent evening jackets dissolved into a
soft sticky mess under the studio lights.
Nevertheless, she was soon off, jet-setting to Corsica to style glamorous
actress Angelica Huston and smart shoemaker Manolo Blahnik in a fun photo
session on the beach. "Bury yourself up to your chin in the sand," the
photographer suggested. "No, I won't" retorted the impeccable cobbler.
One of the final photo sessions for which GingerNutz both modelled and
styled was a poetic journey around an enchanting garden deep in the English
countryside. It starred beds of overblown roses, plants with leaves the
size of elephant ears, and models in twinsets and raincoats decorated with
dried flowers and twigs. While the sun arced behind hedgerows silhouetted
on distant hills our simian fell head over heels for this romantic
landscape and knew it was where she was destined to settle down.
Back in London, costumed as Joan of Arc in theatrical armour, she attended
the fancy-dress birthday ball of madcap Vogue colleague Hamish, a confirmed
bachelor fiercely devoted to lace cuffs and shades of lilac. "I've been
researching your family tree, ma Cherie," he trilled on her arrival, "and I
have a petite surprise for you. Meet me tomorrow for tea at the National
Portrait Gallery." Then, gifting her a miniature lilac handbag and matching
"fascinator," he whisked himself away.
The following afternoon, having at last worked out what a "fascinator" was
(an annoyingly tiny hat much favoured by British royalty), the
self-conscious primate took tea with Hamish at the gallery before joining
him on a private tour of the art.
During the early days, GingerNutz's first attempts at magazine styling were
also not what you might call a runaway success. It was especially
unfortunate when the bunches of overripe bananas she artistically draped
around several chic black Yves St. Laurent evening jackets dissolved into a
soft sticky mess under the studio lights.
Nevertheless, she was soon off, jet-setting to Corsica to style glamorous
actress Angelica Huston and smart shoemaker Manolo Blahnik in a fun photo
session on the beach. "Bury yourself up to your chin in the sand," the
photographer suggested. "No, I won't" retorted the impeccable cobbler.
One of the final photo sessions for which GingerNutz both modelled and
styled was a poetic journey around an enchanting garden deep in the English
countryside. It starred beds of overblown roses, plants with leaves the
size of elephant ears, and models in twinsets and raincoats decorated with
dried flowers and twigs. While the sun arced behind hedgerows silhouetted
on distant hills our simian fell head over heels for this romantic
landscape and knew it was where she was destined to settle down.
Back in London, costumed as Joan of Arc in theatrical armour, she attended
the fancy-dress birthday ball of madcap Vogue colleague Hamish, a confirmed
bachelor fiercely devoted to lace cuffs and shades of lilac. "I've been
researching your family tree, ma Cherie," he trilled on her arrival, "and I
have a petite surprise for you. Meet me tomorrow for tea at the National
Portrait Gallery." Then, gifting her a miniature lilac handbag and matching
"fascinator," he whisked himself away.
The following afternoon, having at last worked out what a "fascinator" was
(an annoyingly tiny hat much favoured by British royalty), the
self-conscious primate took tea with Hamish at the gallery before joining
him on a private tour of the art.
Sample Texts:
During the early days, GingerNutz's first attempts at magazine styling were
also not what you might call a runaway success. It was especially
unfortunate when the bunches of overripe bananas she artistically draped
around several chic black Yves St. Laurent evening jackets dissolved into a
soft sticky mess under the studio lights.
Nevertheless, she was soon off, jet-setting to Corsica to style glamorous
actress Angelica Huston and smart shoemaker Manolo Blahnik in a fun photo
session on the beach. "Bury yourself up to your chin in the sand," the
photographer suggested. "No, I won't" retorted the impeccable cobbler.
One of the final photo sessions for which GingerNutz both modelled and
styled was a poetic journey around an enchanting garden deep in the English
countryside. It starred beds of overblown roses, plants with leaves the
size of elephant ears, and models in twinsets and raincoats decorated with
dried flowers and twigs. While the sun arced behind hedgerows silhouetted
on distant hills our simian fell head over heels for this romantic
landscape and knew it was where she was destined to settle down.
Back in London, costumed as Joan of Arc in theatrical armour, she attended
the fancy-dress birthday ball of madcap Vogue colleague Hamish, a confirmed
bachelor fiercely devoted to lace cuffs and shades of lilac. "I've been
researching your family tree, ma Cherie," he trilled on her arrival, "and I
have a petite surprise for you. Meet me tomorrow for tea at the National
Portrait Gallery." Then, gifting her a miniature lilac handbag and matching
"fascinator," he whisked himself away.
The following afternoon, having at last worked out what a "fascinator" was
(an annoyingly tiny hat much favoured by British royalty), the
self-conscious primate took tea with Hamish at the gallery before joining
him on a private tour of the art.
During the early days, GingerNutz's first attempts at magazine styling were
also not what you might call a runaway success. It was especially
unfortunate when the bunches of overripe bananas she artistically draped
around several chic black Yves St. Laurent evening jackets dissolved into a
soft sticky mess under the studio lights.
Nevertheless, she was soon off, jet-setting to Corsica to style glamorous
actress Angelica Huston and smart shoemaker Manolo Blahnik in a fun photo
session on the beach. "Bury yourself up to your chin in the sand," the
photographer suggested. "No, I won't" retorted the impeccable cobbler.
One of the final photo sessions for which GingerNutz both modelled and
styled was a poetic journey around an enchanting garden deep in the English
countryside. It starred beds of overblown roses, plants with leaves the
size of elephant ears, and models in twinsets and raincoats decorated with
dried flowers and twigs. While the sun arced behind hedgerows silhouetted
on distant hills our simian fell head over heels for this romantic
landscape and knew it was where she was destined to settle down.
Back in London, costumed as Joan of Arc in theatrical armour, she attended
the fancy-dress birthday ball of madcap Vogue colleague Hamish, a confirmed
bachelor fiercely devoted to lace cuffs and shades of lilac. "I've been
researching your family tree, ma Cherie," he trilled on her arrival, "and I
have a petite surprise for you. Meet me tomorrow for tea at the National
Portrait Gallery." Then, gifting her a miniature lilac handbag and matching
"fascinator," he whisked himself away.
The following afternoon, having at last worked out what a "fascinator" was
(an annoyingly tiny hat much favoured by British royalty), the
self-conscious primate took tea with Hamish at the gallery before joining
him on a private tour of the art.