Gliff - Smith, Ali
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O brave new world, that has such people in''t. Once upon a time not very far from now, two children come home to find a line of wet red paint encircling the outside of their house. What does it mean? It's a truism of our time that it'll be the next generation who'll sort out our increasingly toxic world. What would that actually be like? In a state turned hostile, a world of insiders and outsiders, what things of the past can sustain them and what shape can resistance take? And what's a horse got to do with any of this? Gliff is a novel about how we make meaning and how we are made…mehr

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Produktbeschreibung
O brave new world, that has such people in''t. Once upon a time not very far from now, two children come home to find a line of wet red paint encircling the outside of their house. What does it mean? It's a truism of our time that it'll be the next generation who'll sort out our increasingly toxic world. What would that actually be like? In a state turned hostile, a world of insiders and outsiders, what things of the past can sustain them and what shape can resistance take? And what's a horse got to do with any of this? Gliff is a novel about how we make meaning and how we are made meaningless. With a nod to the traditions of dystopian fiction, a glance at the Kafkaesque, and a new take on the notion of classic, it''s a moving and electrifying read, a vital and prescient tale of the versatility and variety deep-rooted in language, in nature and in human nature.
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Autorenporträt
Ali Smith was born in Inverness in 1962. She is the author of several novels and short story collections including, The Accidental, Hotel World, How to Be Both and the Seasonal Quartet. She has been four times shortlisted for the Booker Prize, has won the Goldsmiths Prize, Orwell Prize, Costa Best Novel Award and the Women's Prize. Ali Smith lives in Cambridge.
Rezensionen
Here is a voice that moves with lightness and precision, where bravery and goodness triumph in spirit over jeopardy and fear . . . Smith is good at fable-ising, and at taking a young perspective in order to question afresh systems and inherited knowledge . . . Smith's fiction teaches with vitality that there is no such thing as a futile question Financial Times