The first of two new interconnected novels from bestselling, Booker Prize-shortlisted author Ali Smith
O brave new world, that has such people in't.
Once upon a time not very far from now, two children come home to find a line of wet red paint encircling the outside of their house.
What does it mean?
It's a truism of our time that it'll be the next generation who'll sort out our increasingly toxic world.
What would that actually be like?
In a state turned hostile, a world of insiders and outsiders, what things of the past can sustain them and what shape can resistance take?
And what's a horse got to do with any of this?
Gliff is a novel about how we make meaning and how we are made meaningless. With a nod to the traditions of dystopian fiction, a glance at the Kafkaesque, and a new take on the notion of classic, it's a moving and electrifying read, a vital and prescient tale of the versatility and variety deep-rooted in language, in nature and in human nature.
O brave new world, that has such people in't.
Once upon a time not very far from now, two children come home to find a line of wet red paint encircling the outside of their house.
What does it mean?
It's a truism of our time that it'll be the next generation who'll sort out our increasingly toxic world.
What would that actually be like?
In a state turned hostile, a world of insiders and outsiders, what things of the past can sustain them and what shape can resistance take?
And what's a horse got to do with any of this?
Gliff is a novel about how we make meaning and how we are made meaningless. With a nod to the traditions of dystopian fiction, a glance at the Kafkaesque, and a new take on the notion of classic, it's a moving and electrifying read, a vital and prescient tale of the versatility and variety deep-rooted in language, in nature and in human nature.
Here is a voice that moves with lightness and precision, where bravery and goodness triumph in spirit over jeopardy and fear . . . Smith is good at fable-ising, and at taking a young perspective in order to question afresh systems and inherited knowledge . . . Smith's fiction teaches with vitality that there is no such thing as a futile question Financial Times