Glinda Of Oz - Baum, Frank L.
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The fourteenth book in L. Frank Baum's Land of Oz series is titled Glinda of Oz. To stop a conflict between the Skeezers and the Flatheads, two local powers, Princess Ozma and Dorothy, journey to a remote area of the Land of Oz. In spite of Ozma and Dorothy, the two tribes' chiefs remain adamant and ready to war. Dorothy and Ozma discover themselves imprisoned on the Skeezers' glass-covered island, which has been magically sunk to the bottom of its lake, unable to stop the conflict. The warlike queen Coo-ee-oh, who is keeping them captive and the only one who knows how to raise the island back…mehr

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Produktbeschreibung
The fourteenth book in L. Frank Baum's Land of Oz series is titled Glinda of Oz. To stop a conflict between the Skeezers and the Flatheads, two local powers, Princess Ozma and Dorothy, journey to a remote area of the Land of Oz. In spite of Ozma and Dorothy, the two tribes' chiefs remain adamant and ready to war. Dorothy and Ozma discover themselves imprisoned on the Skeezers' glass-covered island, which has been magically sunk to the bottom of its lake, unable to stop the conflict. The warlike queen Coo-ee-oh, who is keeping them captive and the only one who knows how to raise the island back to the surface of the lake, loses the battle and transforms into a swan, forgetting all her magic in the process, trapping the inhabitants of the island, including Ozma and Dorothy, at the bottom of the lake. This makes their situation worse. Glinda is called upon by Ozma and Dorothy. With the aid of numerous magicians and magical helpers, she must discover a means to lift the island back to the lake's surface and free its residents.
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Autorenporträt
Lyman Frank Baum (May 15, 1856 - May 6, 1919) was an American author chiefly famous for his children's books, particularly The Wonderful Wizard of Oz and its sequels. He wrote a total of 14 novels in the Oz series, plus 41 other novels, 83 short stories, over 200 poems, and at least 42 scripts. He made numerous attempts to bring his works to the stage and the nascent medium of film; the 1939 adaptation of the first Oz book would become a landmark of 20th-century cinema. His works anticipated such century-later commonplaces as television, augmented reality, laptop computers (The Master Key), wireless telephones (Tik-Tok of Oz), women in high-risk and action-heavy occupations (Mary Louise in the Country), police corruption and false evidence (Phoebe Daring), and the ubiquity of advertising on clothing (Aunt Jane's Nieces at Work). Baum's avowed intentions with the Oz books and other fairy tales was to retell tales such as are found in the works of the Brothers Grimm and Hans Christian Andersen, make them in an American vein, update them, avoid stereotypical characters such as dwarfs or genies, and remove the association of violence and moral teachings. The first books contained a fair amount of violence, but it decreased with the series; in The Emerald City of Oz, Ozma objected to doing violence even to the Nomes who threaten Oz with invasion. His introduction is often cited as the beginnings of the sanitization of children's stories, although he did not do a great deal more than eliminate harsh moral lessons.