This edited volume addresses the narrative and stylistic approaches to imbuing natural settings in audiovisual media with a psychological dimension, or, in other words, configuring a 'landscape' to function beyond its typical role as a backdrop-and the cultural contexts for this aesthetic impulse.
This edited volume addresses the narrative and stylistic approaches to imbuing natural settings in audiovisual media with a psychological dimension, or, in other words, configuring a 'landscape' to function beyond its typical role as a backdrop-and the cultural contexts for this aesthetic impulse.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Edited by David Melbye - Contributions by Susan Barber; Ebrahim Barzegar; Fatemeh Gholami; Rocío Gordon; Hajnal Király; David Melbye; Filipa Rosário and Sabrina Y. Tao
Inhaltsangabe
Introduction David Melbye Chapter One: Vacation Landscapes and Interpersonal Crisis in Argentine Film Rocío Gordon Chapter Two: Landscapes of Loss and Guilt in Post-Socialist Hungarian and Romanian Cinema Hajnal Király Chapter Three: Allegorizing Socialist China: Landscape in Chung Kuo, Cina and A Brilliant Spectacle Sabrina Y. Tao Chapter Four: An Alternative Sublime: Filming a Contemporary Gold Rush at The Top of The World Filipa Rosário Chapter Five: Landscape Allegory in Nacer Khemir's Desert Trilogy Ebrahim Barzegar & Fatemeh Gholami Chapter Six: High Ground, Level Ground, and Underground: Dynamics of the Colonized Australian Landscape Susan Barber Chapter Seven: Emergence of the Cinematographer: Landscape Allegory in Soviet Thaw Films David Melbye About the Editor and Contributors
Introduction David Melbye Chapter One: Vacation Landscapes and Interpersonal Crisis in Argentine Film Rocío Gordon Chapter Two: Landscapes of Loss and Guilt in Post-Socialist Hungarian and Romanian Cinema Hajnal Király Chapter Three: Allegorizing Socialist China: Landscape in Chung Kuo, Cina and A Brilliant Spectacle Sabrina Y. Tao Chapter Four: An Alternative Sublime: Filming a Contemporary Gold Rush at The Top of The World Filipa Rosário Chapter Five: Landscape Allegory in Nacer Khemir's Desert Trilogy Ebrahim Barzegar & Fatemeh Gholami Chapter Six: High Ground, Level Ground, and Underground: Dynamics of the Colonized Australian Landscape Susan Barber Chapter Seven: Emergence of the Cinematographer: Landscape Allegory in Soviet Thaw Films David Melbye About the Editor and Contributors
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