Global Film Color
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Global Film Color: The Monopack Revolution at Midcentury explores color filmmaking around the world during the mid-century era when color came to dominate global film production. As Eastmancolor, Agfacolor, Fujicolor and other film stocks became broadly available and affordable, national film industries increasingly converted to color, transforming the look and feel of global cinema.

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Produktbeschreibung
Global Film Color: The Monopack Revolution at Midcentury explores color filmmaking around the world during the mid-century era when color came to dominate global film production. As Eastmancolor, Agfacolor, Fujicolor and other film stocks became broadly available and affordable, national film industries increasingly converted to color, transforming the look and feel of global cinema.
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Autorenporträt
SARAH STREET is a professor of film and Foundation Chair of Drama at the University of Bristol in the UK. She has written and co-edited several books, including Colour Films in Britain: The Negotiation of Innovation, 1900-1955 and Chromatic Modernity: Color, Cinema, and Media of the 1920s,  co-authored with Joshua Yumibe. JOSHUA YUMIBE is a professor of film studies and English at Michigan State University. He has written, edited, and co-edited several books, including  Moving Color: Early Film, Mass Culture, Modernism (Rutgers University Press, 2012) and Fantasia of Color in Early Cinema, w co-authored with Giovanna Fossati, Tom Gunning, and Jonathon Rosen.