Knudsen and Stage present both a theoretical framework for understanding and evaluating the role of bodily vulnerability in contemporary media culture and a range of close empirical case studies on such topics as online war commemoration, online protest strategies and illness blogging. In so doing, they explore the relationship between global media, affect theory, and the body as a biopolitical protest tool.
Knudsen and Stage present both a theoretical framework for understanding and evaluating the role of bodily vulnerability in contemporary media culture and a range of close empirical case studies on such topics as online war commemoration, online protest strategies and illness blogging. In so doing, they explore the relationship between global media, affect theory, and the body as a biopolitical protest tool.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Britta Timm Knudsen is Associate Professor in the Department of Aesthetics and Communication at Aarhus University, Denmark. Her previous books include Enterprising Initiatives in the Experience Economy (co-ed, Routledge 2014), Re-investing Authenticity, Tourism, Place and Emotions (co-ed, 2009). Carsten Stage is Associate Professor in the Department of Aesthetics and Communication, ARTS at Aarhus University, Denmark. His previous publications include "Online a-liveness" in Mediating and Re-Mediating Death (2014) and "Contagious bodies" (co-authored with Knudsen) in Emotion, Space and Society. He is co-editor of Conjunctions. Transdisciplinary Journal of Cultural Participation.
Inhaltsangabe
Introduction 1. Illness Blogs and Online Crowding 2. Global Assemblages of Suffering and Protest 3. Charity, Seduction, and Productive Publics 4. Green Activist Bodies and the Sublime 5. War Commemoration and Affective Media Rhythms 6. Media Witnessing from Chora Epilogue
Introduction 1. Illness Blogs and Online Crowding 2. Global Assemblages of Suffering and Protest 3. Charity, Seduction, and Productive Publics 4. Green Activist Bodies and the Sublime 5. War Commemoration and Affective Media Rhythms 6. Media Witnessing from Chora Epilogue
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