A detailed, nuanced, comparative analysis of African and Asian cinemas, expanding the cinema studies canon and decolonizing the methodologies through which we study global cinema.
A detailed, nuanced, comparative analysis of African and Asian cinemas, expanding the cinema studies canon and decolonizing the methodologies through which we study global cinema.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Lindiwe Dovey is Professor of Film and Screen Studies at SOAS University of London, UK. From 2019 to 2024, she is the Principal Investigator of the ERC-funded project "African Screen Worlds: Decolonising Film and Screen Studies" (www.screenworlds.org). Kate Taylor-Jones is Professor of East Asian Cinema and Head of the School of East Asian Studies at the University of Sheffield, UK. Her publications include the monograph, Divine Work: Japanese Colonial Cinema and its Legacy (Bloomsbury, 2017) and co-edited works Prostitution and Sex Work in Global Cinema: New Takes on Fallen Women (2017) and International Cinema and the Girl (2015). She is editor-in-chief of The East Asian Journal of Popular Culture. Georgia Thomas-Parr is a lecturer in film and screen studies at the School of Arts, SOAS, UK. The underlying interest of her research lies in the subjects of girlhood, coming-of-age, and femininity as represented in visual culture (film and media), shaped by gender and feminist critique.
Inhaltsangabe
Introduction Lindiwe Dovey (SOAS University of London, UK), Kate Taylor-Jones (University of Sheffield, UK) and Georgia Thomas-Parr (SOAS University of London, UK) Part I: Across Gulfs and Oceans: A New Lens on Cross-Cultural Industry and Industries 1. Urban Imaginaries Between Dubai and Kochi: From Cinematic to Smart Cities Pooja Thomas (The School of Ideas, India) and Kay Dickinson (University of Glasgow, UK) 2. Parallel Tracks: Documenting the TAZARA in the Age of the Belt and Road Initiative Xiaoning Lu (SOAS University of London, UK) 3. China-South Africa Cinema Industry Connections: A Preliminary Review Luke Robinson (University of Sussex, UK) and Mariagiulia Grassilli (University of Sussex, UK) Part II: Engendering Comparative Film Studies 4. World Socialist Women's Cinema of Armed Struggle Masha Salazkina (Concordia University, Canada) 5. Nation, Gender and Political Consciousness: Souleymane Cissé's Baara and Satyajit Ray's Ghare Baire Sarah Jilani (University of London, UK) 6. 'Worldiness' in the Filmmaking of Nigerian Women Filmmakers: Focus on Omoni Oboli Morountodun Joseph (Independent Scholar, Nigeria) Part III: Of Rifts and Resonance: Reimagining Film Studies through Conversation 7. Comparative Noir Urbanisms in Mumbai and Lagos Akshaya Kumar (Indian Institute of Technology (IIT), India) and Jonathan Haynes (Long Island University, US) 8. The City as a Site of Contention: Contemporary Japanese and Pakistani Cinemas in Conversation Irene González-López (University of London, Birkbeck, UK) and Zebunnisa Hamid (LUMS, Pakistan) 9. The Possibility of an "Us": Yasujiro Ozu's Legacy in Alain Gomis' Cinema Estrella Sendra Fernandez (King's College London, UK) and Laurence Green ( SOAS, University of London, UK) 10. Feeling Absence in the Screen Worlds of Wong Kar-Wai and Mahamat-Saleh Haroun Xi W. Liu (University of Sheffield, UK) Part IV: Cross-Cultural Fun and Fandom across Africa and Asia 11. Endemic and Ubiquitous: the K-Drama Phenomenon in Madagascar and Northeast India Zoly Rakotoniera (University of Antananarivo, Madagascar) and Saya Thongbam (Jawaharlal Nehru University, India) 12. Hindi Film Fandom: Reception of Selected Zeeworld Series Amongst Audiences in Southern Nigeria Gloria Chimeziem Ernest-Samuel (Imo State University, Nigeria), Fadekemi Olawoye (Goethe University Frankfurt, Germany) and Georgia Thomas-Parr (Goethe University Frankfurt, Germany) Index
Introduction Lindiwe Dovey (SOAS University of London, UK), Kate Taylor-Jones (University of Sheffield, UK) and Georgia Thomas-Parr (SOAS University of London, UK) Part I: Across Gulfs and Oceans: A New Lens on Cross-Cultural Industry and Industries 1. Urban Imaginaries Between Dubai and Kochi: From Cinematic to Smart Cities Pooja Thomas (The School of Ideas, India) and Kay Dickinson (University of Glasgow, UK) 2. Parallel Tracks: Documenting the TAZARA in the Age of the Belt and Road Initiative Xiaoning Lu (SOAS University of London, UK) 3. China-South Africa Cinema Industry Connections: A Preliminary Review Luke Robinson (University of Sussex, UK) and Mariagiulia Grassilli (University of Sussex, UK) Part II: Engendering Comparative Film Studies 4. World Socialist Women's Cinema of Armed Struggle Masha Salazkina (Concordia University, Canada) 5. Nation, Gender and Political Consciousness: Souleymane Cissé's Baara and Satyajit Ray's Ghare Baire Sarah Jilani (University of London, UK) 6. 'Worldiness' in the Filmmaking of Nigerian Women Filmmakers: Focus on Omoni Oboli Morountodun Joseph (Independent Scholar, Nigeria) Part III: Of Rifts and Resonance: Reimagining Film Studies through Conversation 7. Comparative Noir Urbanisms in Mumbai and Lagos Akshaya Kumar (Indian Institute of Technology (IIT), India) and Jonathan Haynes (Long Island University, US) 8. The City as a Site of Contention: Contemporary Japanese and Pakistani Cinemas in Conversation Irene González-López (University of London, Birkbeck, UK) and Zebunnisa Hamid (LUMS, Pakistan) 9. The Possibility of an "Us": Yasujiro Ozu's Legacy in Alain Gomis' Cinema Estrella Sendra Fernandez (King's College London, UK) and Laurence Green ( SOAS, University of London, UK) 10. Feeling Absence in the Screen Worlds of Wong Kar-Wai and Mahamat-Saleh Haroun Xi W. Liu (University of Sheffield, UK) Part IV: Cross-Cultural Fun and Fandom across Africa and Asia 11. Endemic and Ubiquitous: the K-Drama Phenomenon in Madagascar and Northeast India Zoly Rakotoniera (University of Antananarivo, Madagascar) and Saya Thongbam (Jawaharlal Nehru University, India) 12. Hindi Film Fandom: Reception of Selected Zeeworld Series Amongst Audiences in Southern Nigeria Gloria Chimeziem Ernest-Samuel (Imo State University, Nigeria), Fadekemi Olawoye (Goethe University Frankfurt, Germany) and Georgia Thomas-Parr (Goethe University Frankfurt, Germany) Index
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