In one of the greatest American classics, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity. Baldwin's rendering of his protagonist's spiritual, sexual, and moral struggle of self-invention opened new possibilities in the American language and in the way Americans understand themselves. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin tells the story of the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Originally published in 1953, Baldwin said of his first novel, "Mountain is the book I had to write if I was ever going to write anything else." "With vivid imagery, with lavish attention to details ... [a] feverish story." -The New York Times
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Something in his prose hit me, almost winding me with its intensity. I'd never read a novel that described loneliness and desire with such burning eloquence.
Douglas Field Guardian
Douglas Field Guardian
Like many debuts, it's autobiographical, which may explain why Baldwin was so good at rendering a child's thoughts with adult intelligence, but without losing their raw power - right up to the chilling, Orwellian ending The Times