Go Tell It on the Mountain - Baldwin, James
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This haunting coming-of-age story, based in part on James Baldwin's childhood in Harlem, is an American classic. Originally published in 1953, Go Tell It on the Mountain was Baldwin's first major work. With a potent combination of lyrical compassion and resonant rage, he portrays a fourteen-year-old boy questioning the terms of his identity. John Grimes is the stepson of a fire-breathing and abusive Pentecostal preacher in Harlem during the Depression. The action of this short novel spans a single day in John's life, and yet manages to encompass on an epic scale his family's troubled past and…mehr

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Produktbeschreibung
This haunting coming-of-age story, based in part on James Baldwin's childhood in Harlem, is an American classic. Originally published in 1953, Go Tell It on the Mountain was Baldwin's first major work. With a potent combination of lyrical compassion and resonant rage, he portrays a fourteen-year-old boy questioning the terms of his identity. John Grimes is the stepson of a fire-breathing and abusive Pentecostal preacher in Harlem during the Depression. The action of this short novel spans a single day in John's life, and yet manages to encompass on an epic scale his family's troubled past and his own inchoate longings for the future, set against a shining vision of a city where he both does and does not belong. Baldwin's story illuminates the racism his characters face as well as the double-edged role religion plays in their lives, both oppressive and inspirational. In prose that mingles gritty vernacular cadences with exalted biblical rhythms, Baldwin's rendering of his young protagonist's struggle to invent himself pioneered new possibilities in American language and literature. Introduction by Edwidge Danticat
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Autorenporträt
James Baldwin; Introduction by Edwidge Danticat
Rezensionen
Something in his prose hit me, almost winding me with its intensity. I'd never read a novel that described loneliness and desire with such burning eloquence.

Douglas Field Guardian
Like many debuts, it's autobiographical, which may explain why Baldwin was so good at rendering a child's thoughts with adult intelligence, but without losing their raw power - right up to the chilling, Orwellian ending The Times