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Alison Milbank provides a complete reimagining of the Gothic literary canon to examine its engagement with theological ideas, tracing its origins to the apocalyptic critique of the Reformation female martyrs, and to the Dissolution of the monasteries, now seen as usurping authorities.
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Alison Milbank provides a complete reimagining of the Gothic literary canon to examine its engagement with theological ideas, tracing its origins to the apocalyptic critique of the Reformation female martyrs, and to the Dissolution of the monasteries, now seen as usurping authorities.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press, USA
- Seitenzahl: 366
- Erscheinungstermin: 25. Dezember 2018
- Englisch
- Abmessung: 236mm x 157mm x 28mm
- Gewicht: 703g
- ISBN-13: 9780198824466
- ISBN-10: 0198824467
- Artikelnr.: 52642720
- Verlag: Oxford University Press, USA
- Seitenzahl: 366
- Erscheinungstermin: 25. Dezember 2018
- Englisch
- Abmessung: 236mm x 157mm x 28mm
- Gewicht: 703g
- ISBN-13: 9780198824466
- ISBN-10: 0198824467
- Artikelnr.: 52642720
Alison Milbank is Associate Professor of Literature and Theology at the University of Nottingham. She was John Rylands Research Fellow at the University of Manchester and after a temporary position at Cambridge, taught for five years at the University of Virginia. She has taught at Nottingham since 2004, and is also Priest Vicar and Canon Theologian at Southwell Minster. She has published widely on the Gothic, also publishes on Anglican ecclesiology and theology. Her publications include Daughters of the House: Modes of the Gothic in Victorian Fiction (1992) and Preaching Radical and Orthodox (co-edited with John Hughes and Arabella Milbank; 2017).
* Introduction
* Part I: Whig Gothic in the Long Reformation
* 1: Cain's Castles: The Emergence of Protestant Gothic in the
Reformation
* 2: Bare, Ruined Choirs: Gothic Nostalgia and the Reformation
* 3: The Secret of Divine Providence: Whig Gothic and the Grotesque in
Horace Walpole, Clara Reeve, and Matthew Lewis
* 4: Beyond the Awful Veil: Melancholic Theology and the In-between in
Ann Radcliffe
* 5: Paradoxes of the Heart: Religious Anthropology in Charles Brockden
Brown
* 6: Hideous Progeny: Mary Shelley's Dantesque Theology of Creation
* Part II: Duality and Mediation in Scottish Gothic
* 7: Truly Two: Calvinist Anthropology and the Double from Christopher
Marlowe to John Buchan
* 8: Black books and Brownies: Narrating the Reformation in Walter
Scott and James Hogg
* Part III: The Ambivalence of Blood in Irish Gothic
* 9: Mimetic Contagion: Charles Maturin and the Theology of Sacrifice
* 10: In a Glass Darkly? Narrating Death and the Afterlife in Sheridan
Le Fanu
* 11: Finding a Via Media: Bram Stoker and Mediation
* Part IV: Later Gothic: Re-enchanting the Material
* 12: Supernatural Naturalism in Margaret Oliphant, Elizabeth Gaskell,
Charlotte, and Emily Brontë
* 13: Holy Terrors: The Mystical Gothic of Arthur Machen, Evelyn
Underhill, and Charles Williams
* 14: Ecclesiastical Gothic: J. Meade Falkner and M. R. James
* Epilogue
* Bibliography
* Part I: Whig Gothic in the Long Reformation
* 1: Cain's Castles: The Emergence of Protestant Gothic in the
Reformation
* 2: Bare, Ruined Choirs: Gothic Nostalgia and the Reformation
* 3: The Secret of Divine Providence: Whig Gothic and the Grotesque in
Horace Walpole, Clara Reeve, and Matthew Lewis
* 4: Beyond the Awful Veil: Melancholic Theology and the In-between in
Ann Radcliffe
* 5: Paradoxes of the Heart: Religious Anthropology in Charles Brockden
Brown
* 6: Hideous Progeny: Mary Shelley's Dantesque Theology of Creation
* Part II: Duality and Mediation in Scottish Gothic
* 7: Truly Two: Calvinist Anthropology and the Double from Christopher
Marlowe to John Buchan
* 8: Black books and Brownies: Narrating the Reformation in Walter
Scott and James Hogg
* Part III: The Ambivalence of Blood in Irish Gothic
* 9: Mimetic Contagion: Charles Maturin and the Theology of Sacrifice
* 10: In a Glass Darkly? Narrating Death and the Afterlife in Sheridan
Le Fanu
* 11: Finding a Via Media: Bram Stoker and Mediation
* Part IV: Later Gothic: Re-enchanting the Material
* 12: Supernatural Naturalism in Margaret Oliphant, Elizabeth Gaskell,
Charlotte, and Emily Brontë
* 13: Holy Terrors: The Mystical Gothic of Arthur Machen, Evelyn
Underhill, and Charles Williams
* 14: Ecclesiastical Gothic: J. Meade Falkner and M. R. James
* Epilogue
* Bibliography
* Introduction
* Part I: Whig Gothic in the Long Reformation
* 1: Cain's Castles: The Emergence of Protestant Gothic in the
Reformation
* 2: Bare, Ruined Choirs: Gothic Nostalgia and the Reformation
* 3: The Secret of Divine Providence: Whig Gothic and the Grotesque in
Horace Walpole, Clara Reeve, and Matthew Lewis
* 4: Beyond the Awful Veil: Melancholic Theology and the In-between in
Ann Radcliffe
* 5: Paradoxes of the Heart: Religious Anthropology in Charles Brockden
Brown
* 6: Hideous Progeny: Mary Shelley's Dantesque Theology of Creation
* Part II: Duality and Mediation in Scottish Gothic
* 7: Truly Two: Calvinist Anthropology and the Double from Christopher
Marlowe to John Buchan
* 8: Black books and Brownies: Narrating the Reformation in Walter
Scott and James Hogg
* Part III: The Ambivalence of Blood in Irish Gothic
* 9: Mimetic Contagion: Charles Maturin and the Theology of Sacrifice
* 10: In a Glass Darkly? Narrating Death and the Afterlife in Sheridan
Le Fanu
* 11: Finding a Via Media: Bram Stoker and Mediation
* Part IV: Later Gothic: Re-enchanting the Material
* 12: Supernatural Naturalism in Margaret Oliphant, Elizabeth Gaskell,
Charlotte, and Emily Brontë
* 13: Holy Terrors: The Mystical Gothic of Arthur Machen, Evelyn
Underhill, and Charles Williams
* 14: Ecclesiastical Gothic: J. Meade Falkner and M. R. James
* Epilogue
* Bibliography
* Part I: Whig Gothic in the Long Reformation
* 1: Cain's Castles: The Emergence of Protestant Gothic in the
Reformation
* 2: Bare, Ruined Choirs: Gothic Nostalgia and the Reformation
* 3: The Secret of Divine Providence: Whig Gothic and the Grotesque in
Horace Walpole, Clara Reeve, and Matthew Lewis
* 4: Beyond the Awful Veil: Melancholic Theology and the In-between in
Ann Radcliffe
* 5: Paradoxes of the Heart: Religious Anthropology in Charles Brockden
Brown
* 6: Hideous Progeny: Mary Shelley's Dantesque Theology of Creation
* Part II: Duality and Mediation in Scottish Gothic
* 7: Truly Two: Calvinist Anthropology and the Double from Christopher
Marlowe to John Buchan
* 8: Black books and Brownies: Narrating the Reformation in Walter
Scott and James Hogg
* Part III: The Ambivalence of Blood in Irish Gothic
* 9: Mimetic Contagion: Charles Maturin and the Theology of Sacrifice
* 10: In a Glass Darkly? Narrating Death and the Afterlife in Sheridan
Le Fanu
* 11: Finding a Via Media: Bram Stoker and Mediation
* Part IV: Later Gothic: Re-enchanting the Material
* 12: Supernatural Naturalism in Margaret Oliphant, Elizabeth Gaskell,
Charlotte, and Emily Brontë
* 13: Holy Terrors: The Mystical Gothic of Arthur Machen, Evelyn
Underhill, and Charles Williams
* 14: Ecclesiastical Gothic: J. Meade Falkner and M. R. James
* Epilogue
* Bibliography