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Alison Milbank provides a complete reimagining of the Gothic literary canon to examine its engagement with theological ideas, tracing its origins to the apocalyptic critique of the Reformation female martyrs, and to the Dissolution of the monasteries, now seen as usurping authorities.

Produktbeschreibung
Alison Milbank provides a complete reimagining of the Gothic literary canon to examine its engagement with theological ideas, tracing its origins to the apocalyptic critique of the Reformation female martyrs, and to the Dissolution of the monasteries, now seen as usurping authorities.
Autorenporträt
Alison Milbank is Associate Professor of Literature and Theology at the University of Nottingham. She was John Rylands Research Fellow at the University of Manchester and after a temporary position at Cambridge, taught for five years at the University of Virginia. She has taught at Nottingham since 2004, and is also Priest Vicar and Canon Theologian at Southwell Minster. She has published widely on the Gothic, also publishes on Anglican ecclesiology and theology. Her publications include Daughters of the House: Modes of the Gothic in Victorian Fiction (1992) and Preaching Radical and Orthodox (co-edited with John Hughes and Arabella Milbank; 2017).